Kristy Joe Slough

Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)

The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”

LYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopia

EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.

Fringe in Sketch: SHADOW HOUSE

SHADOW HOUSE was an impressive immersive piece

SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2

o subtitles necessary to hear praises sung for women astronomers of the late 19th century.

JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1

An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.

BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): 2014 Fringe Review 51.2

This is an opera about monsters—the Frankenstein of the title, a monster we know well from films if not from literature, and the ways in which people become monsters.

Philadelphia Opera Collective, BY YOU THAT MADE ME FRANKENSTEIN (Photo credit: Harish Pathak)

BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): Fringe Review 51

The compelling two-act opus captures the historic characters, events, and mood with passion and clarity.