SING THE BODY ELECTRIC (Theatre Exile): Electricity sparks and glows brightly, then sputters
Is there more still left in the playwright’s head that didn’t make it to the stage?
Kishia Nixon
HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs
Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.
THE CHILDREN’S HOUR (EgoPo): A superbly acted historical anecdote
EgoPo Classic Theater continues its foray into classics of American drama with a focus on female playwrights.
