Kirsten Kunkle

Fringe in Sketch: SHADOW HOUSE

SHADOW HOUSE was an impressive immersive piece

SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2

This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains

MACHINAL (EgoPo): Welcome to the machine

A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.

JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2

o subtitles necessary to hear praises sung for women astronomers of the late 19th century.

JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1

An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.

Philadelphia Opera Collective’s OPERA MACABRE: EDGAR ALLAN POE Fringe review

[35] OPERA MACABRE: EDGAR ALLAN POE (Philadelphia Opera Collective): Fringe review

An original chamber opera by the exciting young Philadelphia Opera Collective, OPERA MACABRE—which fittingly opened on Friday the 13th!—captures all the hair-raising suspense and psychological disturbance of Edgar Allan Poe’s…