RE!flecting on a career with PHILADANCO!: Interview with Kim Bears-Bailey

As PHILADANCO! prepares for their upcoming performance at the Kimmel Center, Kim Bears-Bailey looks back on her illustrious career with the company. Bears-Bailey joined the company in 1981 and rose through the ranks to her current position as Artistic Director. She shares with Phindie the creation of PHILADANCO! RE and highlights of the past 41 years. 

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Waitress Goes Down Sweet As Pie

NETworks non-equity presentation of Waitress at the Kimmel Center delivers a production that is full of sweetness, laughs, and lovely music.

There is something so comforting about the American diner. The smell of bacon, the reliably hot coffee, the servers who’s brusk care is well-worn but personal. Likewise, Waitress, feels comforting, and certainly more filling than some other recent movie-to-musical broadway adaptations.

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Philadelphia Ballet’s Charles Askegard on the Brilliance of Balanchine

Charles Askegard has spent his career perfecting the work of George Balanchine – first as a dancer with NYCB and now as the Philadelphia Ballet’s rehearsal director. The company will be presenting Bold Brilliant Balanchine as part of its commitment to honoring and celebrating its rich Balanchine roots. Askegard spoke about the upcoming program and his time with the Philadelphia Ballet.

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Seasons of RENT: A young cast helps an aging show

For millennial theater kids, it is hard to overstate the cultural importance of Rent. First produced in 1996, the contemporary retelling of Pucini’s La bohème introduced me and my peers to rock ballads, profanity, drug use, sex, homelessness, and AIDS. Presented in Philly as part of its “25th Anniversary Farewell” tour, this Rent feels adolescent, that is: young, passionate, loud, and slightly dumb.

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