Renée Fleming has been at the forefront of classical music for three decades.

Seeing KINKY BOOTS every couple of years turns out to be a semi-good idea

This bountiful menu of music had something for every taste

Here’s everything you need to know about the musical smorgasbord that awaits.

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

2015 Kimmel Center Theater Resident alumnus Daniel Alexander Jones’s fierce alter ego Jomama Jones will make her Kimmel Center debut in BLACK LIGHT

In celebration of it’s 47th year, PHILADANCO/The Philadelphia Dance Company presented BLACK STEAM, featuring two new works and two old ones.

Anthony Chan spoke with Phindie about his role as Prince Chulalongkorn.

HE KING AND I is set in a time period of colonies and colonials.

Roundabout Theatre Company’s Tony award-winning production of CABARET will make its Philadelphia premiere at the Academy of Music April 4-9

Top players in the Mexico music scene joined forces to play Morrissey’s and The Smith’s greatest hits. They’re coming to the Kimmel Center October 29.

World renowned and locally grown Philadanco contributed to the Philadelphia International Festival of the Arts with nights of first rate dancing to sold out houses.

Among the many experimental performances at PIFA this year, this could be one of the most unique and successful.

Is it adaptations of familiar works, or is there another, more intimate kind of musical that can be done without gadgets and effects and superheroes flying across the stage?

Philly–based Cuban composer Francois Zayas is premiering his yet to be titled ‘musical journey’ for 12- piece orchestra, dancers and vocalists at the Kimmel Center.

ARIADNE AUF NAXOS predates Stephen Sondheim’s “Sunday in the Park with George” and David Hirson’s “La Bête” by decades, but the situation its plot depicts brings both of those later 20th century works to mind.

PHILADANCO!, the city’s premiere modern dance company, had a bit of a problem during its final performance of Blood, Sweat and Dance at the Kimmel Center on Saturday night: the ushers had run out of programs and had to hand out black and white photocopies. In the dance world, however, this is a very good problem to have, and in this case, it was a testament to the company’s continued preservation of predominantly African-American traditions in dance.

This year marks the 15th anniversary of the Live Arts Festival and Philly Fringe, and the 2011 edition looks bigger andbetter than ever. The Live Arts Festival features nine world premieres…