Kimberly S. Fairbanks

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SING THE BODY ELECTRIC (Theatre Exile): Electricity sparks and glows brightly, then sputters

Is there more still left in the playwright’s head that didn’t make it to the stage?

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HUMAN RITES (InterAct): I say tomato, you say genital mutilation

HUMAN RITES succeeds as a vehicle to tackle such hot-topic themes as appropriation and intersectionality.

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PASSING STRANGE (Wilma): Youth and rebellion

Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”

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PASSING STRANGE (Wilma): A worthwhile caricature of art

The performers leave a bright impression in a play that’s a caricature of life and art,

(l-r) Melanie Lawrence, Nastassja Baset, and Danielle Leneé in impatico Theatre Project's MILK LIKE SUGAR. Photo credit: Kathryn Raines.

MILK LIKE SUGAR (Simpatico): Dreams and reality

Everyone wants to feel special. This longing to be acknowledged is at the core of Kirsten Greenidge’s MILK LIKE SUGAR.

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BY THE WAY, MEET VERA STARK (Silver Stage Company): Fringe Review 69

As a culture, we are fascinated by celebrities’ elusive personal lives. Silver Stage Company’s BY THE WAY, MEET VERA STARK questions the responsibility we bestow on Hollywood stars, especially actors…

everyone and i azuka review

60-Second Review: EVERYONE AND I (Azuka)

“I go back where I came from to 6th Avenue/ and the tobacconist in the Ziegfeld Theatre and/ casually ask for a carton of Gauloises and a carton/of Picayunes, and…