Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

Is there more still left in the playwright’s head that didn’t make it to the stage?

HUMAN RITES succeeds as a vehicle to tackle such hot-topic themes as appropriation and intersectionality.

Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”

The performers leave a bright impression in a play that’s a caricature of life and art,

Everyone wants to feel special. This longing to be acknowledged is at the core of Kirsten Greenidge’s MILK LIKE SUGAR.

As a culture, we are fascinated by celebrities’ elusive personal lives. Silver Stage Company’s BY THE WAY, MEET VERA STARK questions the responsibility we bestow on Hollywood stars, especially actors…

“I go back where I came from to 6th Avenue/ and the tobacconist in the Ziegfeld Theatre and/ casually ask for a carton of Gauloises and a carton/of Picayunes, and…