STRANGE TENANTS is a genre-busting production couched in a classic setting.
More engrossing, more alienating, and more disciplined than its predecessor.
How can a radically plotless work communicate a complex and controversial theory?
Meehan and Collins use convincing Christopher Walken impressions in an intriguing look at how the fantasies of popular culture provide escape from our lives while they shape them.
For their debut production, Susanne Collins and Kevin Meehan looked to one of the most iconic actors of contemporary cinema: Christopher Walken.
To celebrate this year’s conference, Phindie is running interviews with prestigious playwrights who have benefited from their experiences with PlayPenn.
Kenneth Lonergan’s new play explores the many levels of trust.
The mysterious world of film noir is given a new twist as an all-female cast reconfigures the traditionally male crime-detective genre.
Part Two of Douglas Williams backstage diary as the play he wrote finishes rehearsals and opens to audiences.
Diary of a Playwright: Doug Williams tracks his thoughts as he prepares for his first professional production
Douglas Williams has partnered with Phindie to share the playwright’s perspective as a new play is developed, rehearsed, and produced
Director Whit MacLaughlin employs both live actors and shadow puppets to convey both the darkness and magic of the popular story.
Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not easily accessible. Nothing much can be taken literally here, and the production doesn’t reward searching for specific meanings as it creates its own tilted world with its own skewed logic.
Rhrough minimal, absurd dialogue and highly stylized, disjointed movement, the ensemble-devised work evokes the boredom and bad behavior of a privileged vacationing family of film artists and their guests.