Keith Conallen

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Fringe in Sketch: PERICLES (Die Cast)

PERICLES presented by Die Cast at the Rotunda makes me look at a pew in a whole other light.

Chris Anthony, Carlo Campbell, Shamus McCarty, Hannah Van Sciver, Colleen Corcoran in  PE

PERICLES (Die Cast): 2017 Fringe review

Jacobean literature and Shakespearean drama are at their best when they’re steeped in the depraved, vengeful affairs of nobility, and rooted in mythos. The complex, meandering tale of PERICLES depicts…

3. Arden, Funnyman, KConallen, CWallnau, phto MGarvin

FUNNYMAN (Arden): Comedy on the brink of tragedy

A new play by Bruce Graham considers the sadness that often underlies comedy and the need to adapt to changing styles and the struggles of life.

Bruce Graham.

Second Acts: Top Philly playwright Bruce Graham talks FUNNYMAN and life in the theater

When you think Philadelphia theater, you think Bruce Graham. He shares his thoughts about his latest play, the state of theater in Philadelphia, and the art of writing plays.

The 1990s called; they want their facade back.

What Can The Wilma Do With $10 Million?

A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.

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THE CHILDREN’S HOUR (EgoPo): A superbly acted historical anecdote

EgoPo Classic Theater continues its foray into classics of American drama with a focus on female playwrights.

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A Woman’s World: A conversation with Brenna Geffers, Lane Savadove, and Adrienne Mackey on bringing a new focus on women to Philadelphia theater

For the theme of its 2015–16 season, EgoPo Classic Theater has announced it will honor American female playwrights: Lillian Hellman, Clare Boothe Luce, and Sophie Treadwell.

Jered McLenigan, Ed Swidey and Keith Conallen.

ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three parts

Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.

Ross Beschler and Zainab Jah in HAMLET. Photo by Alexander Iziliaev.

HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance

Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.

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Shakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEAD

Two of the best plays in the English language and share most of the same characters and much of the same dialog. The Wilma is doing them in successive productions.

Keith Conallen as Crumpet in Flashpoint’s THE SANTALAND DIAIRES (Photo credit: Courtesy of Flashpoint Theatre Company)

THE SANTALAND DIARIES (Flashpoint): The return of a hilarious holiday tradition

Flashpoint Theatre Company brings back its signature show for the holidays, David Sedaris’s THE SANTALAND DIARIES, for a ten-performance pre-Christmas run.

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RED SPEEDO (Theatre Exile): A dive into the waters of amorality

“We all do things that are sorta good, and things that are sorta not so good.” In RED SPEEDO, each character is capable of doing those things that are sorta not so good.

Playwright Lucas Hnath (Photo credit: Courtesy of Lucas Hnath)

A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO

Playwright Lucas Hnath raises serious legal, ethical, societal, and personal issues in RED SPEEDO, his 2013 play enjoying its Philadelphia premiere at Theatre Exile.

8. John Schultz, TILL BURNAM WOOD promo image

TILL BIRNAM WOOD (John Schultz): Fringe Review 30

One way to focus on the extraordinary eloquence and drama of Shakespeare’s language is to eliminate all visual distraction, and that is precisely what John Schultz has done in TILL BIRNAM WOOD—a rapid-fire 55-minute adaptation of Macbeth that is performed before a blindfolded audience.

David Morse Headshot

Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse

Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.

GHOSTS (People’s Light): Just give in to the melodrama

At People’s Light and Theatre’s production of Henrik Ibsen’s GHOSTS, the program note written by dramaturg Gina Pisasale discusses Ibsen’s life and work. In his theater, Pisasale tells us, Ibsen created…

Philadelphia Artists’ Collective’s THE SEA PLAYS Fringe review

[32.2] THE SEA PLAYS (Philadelphia Artists’ Collective): Fringe review

Eugene O’Neill’s early maritime heart-wrenchers, Bound East for Cardiff and In the Zone, are brought to life in the Philadelphia Artists’ Collective’s devastatingly effective site-specific production of THE SEA PLAYS….

Keith Conallen, David Blatt, and Brian McCann in PAC's THE SEA PLAYS, part of the 2013 Philly Fringe.

[32.1] THE SEA PLAYS (Philadelphia Artists’ Collective): Fringe review

With a series of celebrated readings and full productions (including 2012 Fringe hit The Creditors) Philadelphia Artists’ Collective has established a reputation as one of the best independent companies in…

2014 Fringe Festival Philadelphia

Fringe Preview 8: Old City Fringe

Once upon a time the Old City Fringe was the Philly Fringe. Old City on the first Friday in September was the place to be, with guerrilla shows, plays in…

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LIEUTENANT OF INISHMORE by Theatre Exile at Plays and Players

Playwright Martin McDonagh delivers a powerful political message in the most palatable of pills