Part 2 of Lew Whittington’s look at the COME TOGETHER FESTIVAL
AKA performance is a new dance collective, formed by young choreographers Katrina Atkin, Ann-Marie Gover, and Alessandra Delle Grotti to showcase their individual approaches to dance. Finding a good balance…
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CAMELOT (Act II Playhouse): 60-second review CAMELOT is the example of a group of talent working together to create an amazing experience for the audience. 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you? 
From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. ... 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
SUNSET BOULEVARD (Media Theatre): Ann Crumb as Norma Desmond, the delusional diva Few singers can do what Ann Crumb can do, namely to transform herself in such versatile ways that people follow her wherever she goes, wheth... 
Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a writer but a collaborative, improvisatory group of people). A co-founder and former producing artistic director of Flashpoint Theatre Company, he directed the Philadelphia premieres of Far Away, Autobahn, Schoolgirl Figure, The Dead Guy, An Impending Rupture of the Belly, and Crumble (Lay Me Down, Justin Timberlake). Most recently he directed Azuka Theatre’s production of Moth by Australian playwright Declan Greene. more…
