Part 2 of Lew Whittington’s look at the COME TOGETHER FESTIVAL
AKA performance is a new dance collective, formed by young choreographers Katrina Atkin, Ann-Marie Gover, and Alessandra Delle Grotti to showcase their individual approaches to dance. Finding a good balance…
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TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha's production captures her brilliance. 
LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review There’s a lovely simplicity in Elise D’Avella’s staging of the tragic story. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Almost one hundred years ago, Edgar Lee Masters began publishing poems from the point of view of the deceased residents of Spoon River, a lightly-fictionalized version of the small towns he grew up in. The dead of SPOON RIVER ANTHOLOGY no longer worry about how they appear to their neighbors, and this grants them a power to re-form themselves into better, more genuine selves. The same can be said of the cast, made up of mostly non-actors (the majority are local poets). more…
