This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.
A sketch-comedy, drinking play designed to get you drunk while making you laugh at the absurdities of over-imbibing.
Phindie met Katherine and Sarah online to get the lowdown on their collaborative project
Female-centric theater group ReVamp Collective presents 12 CHAIRS.
SEX TALK once again turns musical theater tropes into sing-song gropes that will touch you in places only your partner—or favorite presidential candidate—should
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
“The script is a little more silly and beer filled then Shakespeare originally wrote it,” says MTC’s artistic director Sean Connolly.
Impressive theatricality in an imperfect production of Orwell’s allegory of the Russian Revolution and Stalin’s real-life dystopia.
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees. His first drawings are from a performance…
Warning: Don’t see this erotic-thriller-parody if you take life too seriously! Also: Don’t take life to seriously.
Katherine Perry wants to talk about sex, baby. An inventively funny comic actor, Katherine is one of nine Bright Invention ensemble members performing an original creation this SoLow Fest. Her…
Brightening Up SoLow Fest: Bright Invention takes over this year’s festival with nine original shows
Nearly a quarter of the works in this year’s SoLow Fest come from one company: Bright Invention.
Sharpen your stilettos! BrainSpunk Theater introduces its new performance space in Kensington with THE ROCKY HORROR SHOW LIVE!, March 5-28, 2015.
One way to focus on the extraordinary eloquence and drama of Shakespeare’s language is to eliminate all visual distraction, and that is precisely what John Schultz has done in TILL BIRNAM WOOD—a rapid-fire 55-minute adaptation of Macbeth that is performed before a blindfolded audience.
Beautiful woman in row g  (Philadelphia): Simpatico presents craigslist themed MISSED CONNECTIONS AND OTHER CURIOSITIES
You can tell a lot about a city by looking through its craigslist pages. Jobs, apartments, M4W, rants: it’s all there. An exploration of wants and needs, longing and loneliness,…
THE HOMOSEXUALS (Quince): Ten turbulent years for one young man, six friends, and an entire community
And the festivities continue at GayFest! with Philip Dawkins’s acclaimed play THE HOMOSEXUALS. Gritty and thoughtful, with a broad scope of characterizations and universally relatable themes, THE HOMOSEXUALS presented by Quince…
Josh McIlvain’s RETURN OF CONFESSIONS OF A PLATE AND SHOE should be put in a time capsule and used by future generations as a how-to manual titled “How-to-produce-the greatest-show-ever.” Okay,…