Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.View More Remembering TIME REMEMBERED: Interviews with the IRC cast
Sketches of TIME REMEMBERED by Jean Anouilh, presented by the Idiopathic Ridiculopathy Consortium February 6-March 4, 2018 at the Walnut Street Theatre Studio 5View More Theater in Sketch: TIME REMEMBERED (IRC)
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.View More TIME REMEMBERED (IRC): What is love and how do we kill it?
I’ve been sitting in on some of the absurdist theater company’s rehearsals, sketching and liking what I see.View More Theater in Sketch: Previewing TIME REMEMBERED (IRC)
This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.View More TWO GENTLEMEN OF VERONA (EgoPo): High-spirited and delightfully messy
A sketch-comedy, drinking play designed to get you drunk while making you laugh at the absurdities of over-imbibing.View More BYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe review
Phindie met Katherine and Sarah online to get the lowdown on their collaborative projectView More G-chatting the Gift of Life: Talking POLLYANNA with Katherine Perry and Sarah Knittel
Female-centric theater group ReVamp Collective presents 12 CHAIRS.View More Six Questions for Six Directors: John O’Hara’s 12 CHAIRS gets a revamped production
SEX TALK once again turns musical theater tropes into sing-song gropes that will touch you in places only your partner—or favorite presidential candidate—shouldView More Let’s Talk About Sex, Baby: Katherine Perry returns with SEX TALK election special
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mineView More BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).View More A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Throw your preconceived notions about gender aside and ride your own exasperated mule to Quince Productions’ staging of RODEO.View More RODEO (Quince): “Who you calling a lady?”
“The script is a little more silly and beer filled then Shakespeare originally wrote it,” says MTC’s artistic director Sean Connolly.View More Taming the Brew: ShakesBEER brings the Bard to a brewery with a drinky MIDSUMMER NIGHT’S DREAM
Impressive theatricality in an imperfect production of Orwell’s allegory of the Russian Revolution and Stalin’s real-life dystopia.View More ANIMAL FARM (Luna): From pig to (wo)man, and from (wo)man to pig
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees. His first…View More Fringe in Sketch 1: BRIGHT INVENTION IN THE ART SERIES (White Pines)
Warning: Don’t see this erotic-thriller-parody if you take life too seriously! Also: Don’t take life to seriously.View More THE SECRETARIES (Quince): An erotic-hilarious farce—not suited for an embarrassed young man?
Katherine Perry wants to talk about sex, baby. An inventively funny comic actor, Katherine is one of nine Bright Invention ensemble members performing an original…View More Katherine Perry talks SEX, SoLow Fest, and why we should definitely WebMD that shit
Nearly a quarter of the works in this year’s SoLow Fest come from one company: Bright Invention.View More Brightening Up SoLow Fest: Bright Invention takes over this year’s festival with nine original shows
Sharpen your stilettos! BrainSpunk Theater introduces its new performance space in Kensington with THE ROCKY HORROR SHOW LIVE!, March 5-28, 2015.View More BrainSpunk Theater launches its new home with THE ROCKY HORROR SHOW LIVE!
One way to focus on the extraordinary eloquence and drama of Shakespeare’s language is to eliminate all visual distraction, and that is precisely what John Schultz has done in TILL BIRNAM WOOD—a rapid-fire 55-minute adaptation of Macbeth that is performed before a blindfolded audience.View More TILL BIRNAM WOOD (John Schultz): Fringe Review 30