PETER PAN (School of Pennsylvania Ballet): Forever’s children
The School of Pennsylvania Ballet presented its 2018 annual performance at the Prince Theater on May 19 and 20.
Kaitlin Zeis
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COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
Yo Philly, No More Safe Bullshit Excerpted from gchat conversations between Christopher Munden and John Rosenberg. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere 
CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put ...
From the archives…
GRIMMS’ JUNIPER TREE (Renegade): 60 Second Review
GRIMMS’ JUNIPER TREE weaves in plot points from various famously morose Grimm brothers’ fairy tales around one lesser known story—that of the Juniper Tree. This is the central narrative which moves the story forward, but none of the scenes ever truly succeed in capturing the imagination as the originals did. When Grimm’s “Children’s Tales” were first published, critics judged them as unsuitable for children. more…
