Julianna Zinkel

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MOON OVER BUFFALO (People’s Light): A few doors short of a farce

Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?

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BRIGHTON BEACH MEMOIRS (Act II Playhouse): The same old schtick

A play for people who need to be told how to feel.

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IRONBOUND (Simpatico): Does this bus stop at 82nd street?

IRONBOUND takes place outside of a bus stop in front of a factory in New Jersey.

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MAURITIUS (Act II): Feeling the philatelia

Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS

1. People's Light, IRIS MALLOY, JZinkel, SBryce, pto MGarvin

THE HARASSMENT OF IRIS MALLOY (People’s Light): A male perspective on the socio-economics of sexual politics

A world-premiere play about sexual misconduct, politics, lies, and opportunism considers the economic hardships on single mothers in a culture of winning at all costs.

Julianna Zinkel and Irungu Mutu in Bristol Riverside Theatre’s production of THE LANGUAGE ARCHIVE (Photo credit: Mark Garvin)

THE LANGUAGE ARCHIVE (BRT): A poetic parable about the language of love

Julia Cho’s lofty romantic comedy examines the beauty of language and the failure of humans to communicate.

Teri Lamm and Mary Elizabeth Scallen in AUCTIONING THE AINSLEYS at People’s Light (Photo credit: Mark Garvin)

AUCTIONING THE AINSLEYS (People’s Light): Familial dysfunction, memory, and the significance of objects

Laura Schellhardt’s foray into the Pop psychology of familial dysfunction and the significance of personal possessions is given its regional premiere.

1. PL&TC, BILOXI BLUES, JMLambert, photo MGarvin

BILOXI BLUES (People’s Light): Coming of age in WWII

Though entertaining as a comedy, BILOXI BLUES contains an important message about fighting “the good war” abroad, while many struggles against injustice remain on the home front.

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UNDER THE SKIN (Arden): The boundaries of the body and the limits of love: It’s complicated

There’s little inherent humor in a guy needing a kidney, but evidently no one told that to Michael Hollinger.

(clockwise from left) Julianna Zinkel, Clare Mahoney, Jessica Bedford, and Becky Baumwoll in PRIDE & PREJUDICE at People’s Light & Theatre Company (Photo credit: Mark Garvin)

PRIDE & PREJUDICE (People’s Light & Theatre Company): Structure and Snobbery in Regency England

PRIDE & PREJUDICE, Jane Austen’s classic tale of class, courtship, and decorum in 19th-century England, celebrated its 200th anniversary in 2013. People’s Light & Theatre Company continues the celebration with…

U.R. as Flip LeVay and Julianna Zinkel as Kimber in Arden Theatre Company’s production of Stick Fly. Photo by Mark Garvin.

STICK FLY (Arden): An inventive, relentlessly funny look at race and class

The immaculate Martha’s Vineyard home of the African American LeVay family is the set for Lydia R. Diamond’s STICK FLY at Arden Theatre Company. Plush sofas and pristine white cabinetry are the trappings around which the evening’s drama unfolds. The audience has a window into the kitchen, living room and porch where at times multiples scenes take place at complementary intervals; sometimes echoing their counterparts in the next room. The characters in the play are a complex set, all with different but overlapping backgrounds—some more than they realize.

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BARCELONA (People’s Light): Transatlantic tension, transatlantic truth

She’s an American tourist on a girls’ holiday, seeking out a romantic, exotic fantasy of Spain. He’s a dashing, seductive Spaniard who takes her to his soon-to-be demolished apartment, where…