I was looking forward to catching Val Dunn and Jenna Kuerzi’s presentation on late-stage capitalism, JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM, ever since I first heard about it. It showed…
I didn’t dare to tell anyone what “Depp” means to German-speakers, as I didn’t want to spoil the most unusual Valentine’s date I had in my entire life. Yes, Johnny…
Jenna Kuerzi is in almost every Philly Theatre Week show. She tells us all about it.
Theater in Sketch: JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Val Dunn & Jenna Kuerzi) I was looking forward to catching Val Dunn a... 
Presenting stronger new dramas by overcoming “premieritis” The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres” 
SUMMER SERIES 2019 (BalletX): BalletX brings The Little Prince to life This contemporary ballet of a classic children’s book is immediately understandable for children, but also poignant and thought-provoking fo... 
Full Cirque: Alix Croop returns to her hometown with AMALUNA Allentown native, Alix Croop, couldn’t imagine how her talents would translate to what she had seen in Cirque du Soleil’s Alegria... 
THE LION KING (dir. Jon Favreau): Beautiful and utterly pointless A film review of the CGI live action remake Support Phindie operations
The action in COMMUNITAS could be best described as four people taking turns carrying one another around a space, then falling off, then swapping who carries whom. In a way, it is structured around a continual exploration of ways to make two or more people into one. Balance is challenged not by standing on a tight rope, but by joining two bodies at a single point and leaning precipitously apart; disassemble and repeat as necessary.
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