We are living in absurd timesView More THE BALD SOPRANO (IRC): It’s not that way. It’s over here
3 weeks. 10 plays. My first Fringe Festival.View More Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
Welcome to Philadelphia, international Fringe artists.View More International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
The Bald Soprano always wears her hair in the same style. And The Bald Soprano, written in 1950 by Eugene Ionesco as a “tragedy of…View More EUGÈNE IONESCO’S THE BALD SOPRANO (Idiopathic Ridiculopathy Consortium): 2017 Fringe review
Tina Brock and company make Ionesco’s absurd SOPRANO sing.View More Eugene Ionesco’s THE BALD SOPRANO (IRC): 2017 Fringe Review
The Philadelphia Shakespeare Theatre demonstrates Shakespeare’s continued relevance with a well-choreographed comedy of contemplation.View More TWELFTH NIGHT (Philly Shakes): What you will!
This is a solidly accessible MACBETH, with comprehensible delivery and an easy-to-follow story—the kind of Shakespeare you go see with your high school class.View More MACBETH (Philly Shakes): Blood should have blood
Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.View More A MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!
Thank God for Taylor Swift. After seeing Luna Theater‘s mindcrushing production of Martin McDonagh’s THE PILLOWMAN last night, I found myself a broken man. I was shellshocked.…View More The Five Stages of THE PILLOWMAN (Luna Theater)
With all the claustrophobia of an Otto Dix painting, Luna Theater’s production of Martin McDonagh’s THE PILLOWMAN is a delicious 140-minute-anxiety attack. Robert DaPonte is remarkably arresting…View More THE PILLOWMAN (Luna Theater): 60 Second Review