Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.

However crammed your Fringe calendar may be, don’t miss this one.

Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.

PAC gives the Jacobin the veneer of a mid-20th century hard-boiler. Sketches by Chuck Schultz.

PAC’s current production confirms its reputation as the best adaptor of classic works.

Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.

In a Philadelphia theater season with an auspicious beginning, this production of MRS. WARREN’S PROFESSION might be the most auspicious of all.

It’s the year 1183 and Henry II is disappointed in his sons and in love with a much younger woman. Some things never change.

This not your usual resurrection of the Dracula story of seducing young women to join him in the realm of the undead.

Although it has lost the shock value (lesbianism!) it had in the 1920s, it is easy to see why PAC were attracted to this forgotten play.

Commonwealth Classic Theatre presents a world-premiere production of Paul Parente’s meaningful tragicomedy on the absurdities and horrors of war, inspired by the events and characters from Homer’s Iliad.

Celebrating its 250th anniversary in 2015, the Powel House is hosting an array of special events in the fine and performing arts throughout the year.

Dan Hodge discusses his edited version of HAMLET, onstage through November 23 at Hedgerow Theatre.

I have some friends who think William Shakespeare is the greatest writer in the English language, but they don’t like going to the theater to see performances of his work. Why,…

Every staged version of Hamlet is edited. Posterity left us two “authentic” written versions of William Shakespeare’s masterpiece, as well as a poorly transcribed but dramatically more coherent “foul” text….

Philadelphia Artist Collective’s tightly-corseted production of Frederich Schiller’s Mary Stuart, starring the earth-shattering Charlotte Northeast and the finely-tuned Krista Apple Hodge will leave you white-knuckle-gripping the edge of your seat. Sitting in a severe theater-in-the-round circle, the audience itself forms four oppressive walls seemingly trapping the actors on the Broad Street Ministry’s cherry wood floor. If Schiller were alive today, he would raise a thumb in approval of director Dan Hodge’s minimalist approach.

Director Dan Hodge does not mind imposing his vision upon a text. His bold decision to combine the Ariel and Miranda characters proved surprisingly effective.in last season’s The Tempest at…

Eugene O’Neill’s early maritime heart-wrenchers, Bound East for Cardiff and In the Zone, are brought to life in the Philadelphia Artists’ Collective’s devastatingly effective site-specific production of THE SEA PLAYS….

With a series of celebrated readings and full productions (including 2012 Fringe hit The Creditors) Philadelphia Artists’ Collective has established a reputation as one of the best independent companies in…