The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”
Working with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2
In this, the second of a two-part interview, we talk to Eisenhower about the history behind 1776: The Musical
In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.
1776 will make you laugh, might even make you cry, and will most certainly be more enjoyable than the lectures of your middle school history teachers.
Three progenitors of 20th-century Minimalism—Lucinda Childs, John Adams, and Frank Gehry–teamed up to create a stunning program of dance, sound, and space.