There are many good comedies out there, but not many where the weight of tragedy crests and wanes beneath the laughter.
I’ve gone from a fan and admirer to an enthusiastic supporter of Jen Childs in I WILL NOT GO GENTLY.
Thom Nickels asks why the same people always get satirized.
A great entertainment present for Philly’s Christmas present.
Ho boy, it’s been quite the election cycle. Thankfully, Philadelphia has 1812 Productions to ease the pain with its annual satirical show.
The production keeps audience members of all ages laughing with outrageous and suggestive songs by Jennifer Childs and Christopher Colucci.
Harriet Power sits on a stool at a lightly stocked semi-circle bar in the corner of a spacious music room a block from the Ninth Street Market. She’s watching as…
This year’s installment of the annual politically-incorrect political comedy skewers the presidential candidates and brings some welcome laughs to a troubled week
An uproarious look into the reasons people steal, and why others chase them
The creators/performers of THE LIGHT PRINCESS discuss the development of their adaptation of the 19th-century Scottish fairytale before its workshop production in the Fringe.
Theater’s Second Sex: Caridad Svich on playwriting as a woman, as an act of political resistance, and for the first Philadelphia Women’s Theatre Festival
When Caridad Svich decided to be a playwright, she read every playwright in the public library. Only one of them was a woman. Svich talks to Phindie ahead of the PWTF.
We’re asking, Philly, WTF? It’s 2015 and we are still underrepresented on stage, backstage, and in positions of leadership.
Whether you were a fan of The Honeymooners, or have never seen more than a clip on YouTube, this homage to The Great One reminds us of what comedy used to be like.
What makes film different from theater is that film is fixed forever, performances and lines repeating endlessly year after year, while theater has the ability to surprise us. And what makes theater different from life is that theater is scripted and life is random, unexpected, not planned out ahead of time. And what makes Philadelphia’s FringeArts Festival fun is that it delights in performances that confound expectations.
Alan Ayckbourn’s inventive rom-com about failing and budding mid-life relationships in suburban London is that the play (or more accurately, the first volume of the playwright’s original two-volume work that is performed here) offers sixteen plot options and eight different endings. And for the first time in its production history, 1812 shines the spotlight on random members of the audience to decide spontaneously which path the characters should take as they reach a series of crossroads in their lives.
Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.
Lampooning everything from Hillary Clinton ‘not’ running for President in 2016 to NJ Governor Chris Christie ‘not’ closing the George Washington Bridge, 1812 Productions’ THIS IS THE WEEK THAT IS delivers non-stop laughs in a fast-paced ensemble-devised review of today’s important issues.
Vaudeville has returned in all its glory with 1812’s THE BIG TIME: NEW VAUDEVILLE FOR THE HOLIDAYS. Pratfalls, double entendres, and caricatures of people past and present light up the…