Jenna Kuerzi

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FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe review

This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.

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A RUNAWAY, A SOLDIER AND A SNOWBALL FIGHT (Iron Age Theatre): 2016 Fringe review 71

This fabulous Fringe piece plunges the audience into the dramatic action of the American Revolution.

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BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53

Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine

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A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia

Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).

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Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

Twelfth Night - Philadelphia Shakespeare Theatre. Photo by Kendall Whitehouse.

TWELFTH NIGHT (Philly Shakes): What you will!

The Philadelphia Shakespeare Theatre demonstrates Shakespeare’s continued relevance with a well-choreographed comedy of contemplation.

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MACBETH (Philly Shakes): Blood should have blood

This is a solidly accessible MACBETH, with comprehensible delivery and an easy-to-follow story—the kind of Shakespeare you go see with your high school class.

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THE YEAR OF THE RAW ONION (IRC): A cabaret cocktail of satire and absurdity

A series of stand-up monologues culled from the satirical articles of The Onion delivered riotous socio-political commentary in a fast-paced 75 minutes.

Adam Altman, Jenna Kuerzi, and Luke Moyer in DOGFALL. Photo by josiahandstephphotography

DOGFALL (Iron Age): Let slip the dogs of war

DOGFALL looks good and has good intentions, but as everyone aware of military history knows, high aspirations don’t always lead to success.

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LOVE’S LABOUR’S LOST (CTC): A post-modern musical adaptation of Shakespeare’s classic rom-com

An updated musical adaptation of Shakespeare’s classic rom-com brings current import to the battle of the sexes and coming of age in post-modern times.

"Kiss me, Kate": Aaron Fitzpatrick and Jenna Kuerzi in THE TAMING OF THE SHREW.

THE TAMING OF THE SHREW (Philadelphia Shakespeare Theatre): A woman moved

In her amusing staging of Shakespeare, director Carmen Khan focuses on the compromise, interplay, and transformative power of love which make up a mature relationship.

The cast (Patricia Durante, Robb Hutter, Anna Lou Hearn, and Jenna Kuerzi) of IRC’s EXIT THE KING (Photo credit: Johanna Austin)

“Performing Ionesco is a sport”: Interview with EXIT THE KING director Tina Brock

Henrik Eger talks to director Tina Brock about this intriguing Fringe production.

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Long Live Ionesco Actors: Behind the scenes with the cast of IRC’s EXIT THE KING

Philadelphia’s favorite absurdist theater troupe, Idiopathic Ridiculopathy Consortium, is Fringing all Festival long with Eugene Ionesco’s EXIT THE KING. Henrik Eger talks to the six cast members about the characters…

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SPOOKFISH (Haygen Brice Walker and Jessica Schwartz): 2015 Fringe review 17

The scary midnight show is something of a Fringe tradition. SPOOKFISH fits the bill this year.

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EXIT THE KING (IRC): 2015 Fringe Review 1

Ionesco’s absurdist tragicomedy on death and the human condition comes to life in Idiopathic Ridiculopathy Consortium’s hilarious and affecting production.

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Tonight! Idiopathic Ridiculopathy Consortium kicks off the Fringe with EXIT THE KING!

Idiopathic Ridiculopathy Consortium returns with its latest dive into the absurd—Eugene Ionescos EXIT THE KING

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A MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!

Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.

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STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee Williams

This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.

Kerry Kristine McElrone, Dylan Geringer, Emma Orr, Rick Fountas, Paul McElwee, and Jenna Kuerzi in CTC’s JAMES JOYCE’S THE DEAD (Photo credit: Joe del Tufo)

JAMES JOYCE’S THE DEAD (CTC): An immersive event in an Irish pub setting

The one-act musical adaptation of Joyce’s short story is presented as a memory play, told through narration and re-enactments.