Jenna Kuerzi

Theater in Sketch: JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Val Dunn & Jenna Kuerzi)

I was looking forward to catching Val Dunn and Jenna Kuerzi’s presentation on late-stage capitalism, JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM, ever since I first heard about it. It showed…

Theater in Sketch: LET IT SNOWDEN (Hella Fresh Theater)

Theater takes us out of the fictional world we occasionally mistake as real.

JOHNNY DEPP (Val Dunn & Jenna Kuerzi): A Valentine date with late-stage capitalism

I didn’t dare to tell anyone what “Depp” means to German-speakers, as I didn’t want to spoil the most unusual Valentine’s date I had in my entire life. Yes, Johnny…

What is Theatre Week? What to See? And other insights from Jenna Kuerzi

Jenna Kuerzi is in almost every Philly Theatre Week show. She tells us all about it.

Mule for Hire: John Rosenberg returns to Philly with some hella fresh theater

Our favorite DIY theatermaker returns to Philadelphia with a new play that probably won’t suck

WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review

WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walker’s previous Fringe entries

CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review

CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put up with.

Theater in Sketch: TWELFTH NIGHT (Shakespeare in Clark Park)

Chuck Shultz sketches the al fresco production of TWELFTH NIGHT.

FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe review

This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.

A RUNAWAY, A SOLDIER AND A SNOWBALL FIGHT (Iron Age Theatre): 2016 Fringe review 71

This fabulous Fringe piece plunges the audience into the dramatic action of the American Revolution.

BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53

Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine

A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia

Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).

Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

TWELFTH NIGHT (Philly Shakes): What you will!

The Philadelphia Shakespeare Theatre demonstrates Shakespeare’s continued relevance with a well-choreographed comedy of contemplation.

MACBETH (Philly Shakes): Blood should have blood

This is a solidly accessible MACBETH, with comprehensible delivery and an easy-to-follow story—the kind of Shakespeare you go see with your high school class.

THE YEAR OF THE RAW ONION (IRC): A cabaret cocktail of satire and absurdity

A series of stand-up monologues culled from the satirical articles of The Onion delivered riotous socio-political commentary in a fast-paced 75 minutes.

DOGFALL (Iron Age): Let slip the dogs of war

DOGFALL looks good and has good intentions, but as everyone aware of military history knows, high aspirations don’t always lead to success.

LOVE’S LABOUR’S LOST (CTC): A post-modern musical adaptation of Shakespeare’s classic rom-com

An updated musical adaptation of Shakespeare’s classic rom-com brings current import to the battle of the sexes and coming of age in post-modern times.