Jenna Horton

MagrittePipe

This Is Not A Theater Review

Thoughts on Destiny Estimate, the American Theater Critics Association, and theater criticism.

Jenna Horton gets truthy in THE SINCERITY PROJECT. Photo by Jen Cleary.

THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2

THE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.

Photo by Jen Cleary

THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1

Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real

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THE CHILDREN’S HOUR (EgoPo): A superbly acted historical anecdote

EgoPo Classic Theater continues its foray into classics of American drama with a focus on female playwrights.

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Not of an Age: Remembering 10 years of Shakespeare in Clark Park

Performers past and present share their thoughts and memories on a decade of Shakespeare in Clark Park.

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A Woman’s World: A conversation with Brenna Geffers, Lane Savadove, and Adrienne Mackey on bringing a new focus on women to Philadelphia theater

For the theme of its 2015–16 season, EgoPo Classic Theater has announced it will honor American female playwrights: Lillian Hellman, Clare Boothe Luce, and Sophie Treadwell.

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THE SINCERITY PROJECT (Team Sunshine): Real bodies doing real things

THE SINCERITY PROJECT uses honest dialogue and candid storytelling to blend truth and creative license into a deeply resonant piece.

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Opens this week, runs through 2028: THE SINCERITY PROJECT (Team Sunshine), a 24-year experiment

Can theater be sincere? What does it mean to reveal personal secrets onstage? Is truth a form of performance? Find out.

Phindie's Official Fringe Bike Tour

The Fringe in nine and a half hours: the Phindie Fringe Bike Tour Diaries (part two)

Nine point five hours, five pieces of theater, ten bicyclists, and no great plan on how we’re gonna eat: that was the format for day two of PHINDIE’S OFFICIAL FRINGE BIKE TOUR.

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LOVERTITS (Annie Wilson): 2014 Fringe review 86

The topic of Annie Wilson’s LOVERTITS is the female body. But the bodies are at turns irreverent, nonchalant, non-sexualized.

Chris Davis plays Vronsky in ANNA K (Photo credit: Courtesy of the Artist)

Anna K (Chris Davis): 2014 Fringe Review 40.2

It would be fun to call ANNA K an irreverent romp through Tolstoy’s 1870s novel, Anna Karenina, but in fact playwright Chris Davis reverences the material in his own way. For all its comedy, and there’s plenty in his South Philly-style version, the play scans the storyline and retains underlying issues.

Chris Davis plays Vronsky in ANNA K (Photo credit: Courtesy of the Artist)

ANNA K (Chris Davis): 2014 Fringe Review 40

Can you imagine 19th-century Moscow transported to contemporary Philadelphia, and Leo Tolstoy’s Russian angst-laden tragedy Anna Karenina transformed into a wacky local comedy? Luckily for Fringe audiences actor/playwright Chris Davis could.

Ama Bollinger stars in Chris Davis’s ANNA K (Photo credit: Courtesy of the artist)

Deb Miller’s 15 Top Picks for the 2014 Philadelphia Fringe Festival

Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.

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THE JERSEY DEVIL (Berserker Residents): 60-second review

The three troupe members of the FringeArts-famous Berserker Residents will do pretty much anything to get a good laugh out of the audience. Their recently re-installed THE JERSEY DEVIL (first…

Jenna Horton

Jenna Horton And The Birth Of Etna

Interview with Jenna Horton about her Jumpstart piece MOUNTING ETNA.