Jenn Kidwell

We don’t study history, we just keep reenacting it: a conversation with Jenn Kidwell

Jenn Kidwell talks history and roleplaying ahead of the relaunch of UNDERGROUND RAILROAD GAME at FringeArts.

What Can The Wilma Do With $10 Million?

A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.

I PROMISED MYSELF TO LIVE FASTER (Pig Iron): 60-second review

An absurd sci-fi epic with countless phallic symbols and absolutely no sense of “too much”. What more could you ask for?

How to Live Faster: Interview with Dito van Reigersberg of Pig Iron

Pig Iron’s latest wild theatrical creation opens this week at FringeArts. I Promised Myself to Live Faster is an absurdist sci-fi epic and wild allegory about gayness in 2015,

Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse

Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.

Alex Bechtel The West

THE WEST Comes to Town: Interview with Creator Alex Bechtel

THE WEST is ensemble-devised musical theater, described as “an absurdist western music hall drama about the gun that killed Billy The Kid, the gun that didn’t, and truth and fiction in history, human relationships, and our day-to-day lives.”