Revisiting Philly theater history through the eyes of one of its finest critics.

CAMELOT is the example of a group of talent working together to create an amazing experience for the audience.

The simple tricks of the stage awe an audience of CGI-era children, showing that even something as normal as friendship can be magic.

A superb cast and creative artistic design bring the story of traumatic loss and joyful renewal to life in the haunting musical adaptation of a Victorian classic.

Patrick Marber is a master of words. But in this production words, well composed as they are, are not enough.

Act II set a new standard for closing out an excellent season. FORBIDDEN BROADWAY’S GREATEST HITS by Gerard Allessandrini is hands down hilarious. Tony Braithwaite, Elena Camp, Jeffrey Coon, and…

In doing MARY POPPINS, a director has to decide between approaches: light and fantastical like the movie or darker like the book.

THE ADDAMS FAMILY is such a familiar piece, and beloved by many for various reasons

“There aren’t enough cocktails to help me understand why I continue to be an actor! This shit is for the birds!”

Thus begins the Facebook entry by Joey, a dancer-actor-singer who played many roles along the U.S. east coast, but recently did not get hired for a new musical.

J. Pierrepoint Finch (Jeremy Morse) is a determined window washer with a handbook “How to Succeed in Business” and a dream to navigate the corporate maze. Step one: apply for the job at a major corporation.

In celebration of its tenth anniversary season of wintertime pantos People’s Light & Theatre Company in Malvern is presenting a remount of CINDERELLA, its most acclaimed panto to date.

Set in Georgia between 1913 and 1915, PARADE examines the true story of Leo Frank, a transplanted Brooklyn-bred Jew accused of killing a thirteen-year-old girl in the Atlanta pencil factory…