Philadelphia theater through the eyes of J. Cooper Robb, Part 2: 2004
Revisiting Philly theater history through the eyes of one of its finest critics.
Revisiting Philly theater history through the eyes of one of its finest critics.
CAMELOT is the example of a group of talent working together to create an amazing experience for the audience.
The simple tricks of the stage awe an audience of CGI-era children, showing that even something as normal as friendship can be magic.
A superb cast and creative artistic design bring the story of traumatic loss and joyful renewal to life in the haunting musical adaptation of a Victorian classic.
Patrick Marber is a master of words. But in this production words, well composed as they are, are not enough.
Act II set a new standard for closing out an excellent season. FORBIDDEN BROADWAY’S GREATEST HITS by Gerard Allessandrini is hands down hilarious. Tony Braithwaite, Elena Camp, Jeffrey Coon, and…
In doing MARY POPPINS, a director has to decide between approaches: light and fantastical like the movie or darker like the book.
THE ADDAMS FAMILY is such a familiar piece, and beloved by many for various reasons
“There aren’t enough cocktails to help me understand why I continue to be an actor! This shit is for the birds!”
Thus begins the Facebook entry by Joey, a dancer-actor-singer who played many roles along the U.S. east coast, but recently did not get hired for a new musical.
J. Pierrepoint Finch (Jeremy Morse) is a determined window washer with a handbook “How to Succeed in Business” and a dream to navigate the corporate maze. Step one: apply for the job at a major corporation.
In celebration of its tenth anniversary season of wintertime pantos People’s Light & Theatre Company in Malvern is presenting a remount of CINDERELLA, its most acclaimed panto to date.
Set in Georgia between 1913 and 1915, PARADE examines the true story of Leo Frank, a transplanted Brooklyn-bred Jew accused of killing a thirteen-year-old girl in the Atlanta pencil factory…