No published or produced play has been the source for a Best Adapted Screenplay award since 1989.
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
I’ve been sitting in on some of the absurdist theater company’s rehearsals, sketching and liking what I see.
Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia The issue of diversity in theater (and in the... 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
Wonderetter: Rebecca Robbins on the Walnut’s holiday show Interview with the star of Winter Wondrettes at Walnut Street Theatre. 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. Support Phindie operations
If you’ve ever seen an inscription in a used book and envisioned the person who wrote it, or stumbled upon a note meant for someone else and marveled, FOUND is speaking to you more…
