A visceral, exquisitely written, three-person anxiety attack
A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.
TOWN (Jolie Darrow & Jack O’Keeffe/PHIT Comedy): 2017 Fringe review TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake. 
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review On the Rocks proves you can dismantle the master’s house with his tools. 
THE PASSION OF KELLYANNE (LiveFeedNYC): 2017 Fringe review How did Kellyanne Conway go from Hammonton, New Jersey blueberry-packing champ to the first woman to manage a successful U.S. presidential C... 
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review The promise of “something for everyone” is both too little and too much. 
SUICIDE STORIES (Elephant Room Productions): 2017 Fringe review A surprising reminder of how good it is just to be alive. 
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees. His first drawings are from a performance of Bright Invention’s Assemblage, part of White Pines Productions’ BRIGHT INVENTION IN THE ART SERIES. [The White Pines Place, 7908 High School Road, Elkins Park] September 3-5, 2015; fringearts.
