ALL THE DEAD BIDDLES (Underbite Theatre Company): Looks at life after death through lens of dark humor
Underbite Theatre Company handles a tough topic wiith searing insight and sensitivity.
Jason Kramer
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Musical in Sketch: CHARLIE AND THE CHOCOLATE FACTORY (touring production) Sketches of Willy Wonka and more. 
Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia The issue of diversity in theater (and in the... 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
COME TOGETHER FESTIVAL: Dance review, part 1 The collective energy of the deep field of Philly dance and visiting artists created a palpable festival atmosphere.
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From the archives…
WALK TO TOPAZ (Brendon Tetsuo): 2016 Fringe review 82
An autobiographical solo dance work tracing how a family history in a Japanese Internment Camp has affected succeeding generations. more…
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Wonderetter: Rebecca Robbins on the Walnut’s holiday show
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Musical in Sketch: CHARLIE AND THE CHOCOLATE FACTORY (touring production)
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COLLECTED STORIES (Act II): Friendship in the real world
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KING KONG (Broadway Theatre): Going ape on Broadway
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“Mentors and protégés exist everywhere”: Interview with playwright Donald Margulies on COLLECTED STORIES
