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Flamineo (Dan Hodge) and Cornelia (played by J.J VanName) have a fight. While Vittoria (Charlotte Northeast) seems to look up to the mother Flamineo despises her for his lack of wealth. As Flamineo and Zanche (played by Lexie Braverman) are fooling around, Flamineo urges the Duke to have his way with Vittoria. Sketch by Chuck Schultz.

THE WHITE DEVIL (PAC): A bloody good thriller

PAC gives the Jacobin the veneer of a mid-20th century hard-boiler. Sketches by Chuck Schultz.

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THE PRISONER OF ZENDA (Hedgerow Theatre): 60-second review

A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity

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Emotion is the Heart of Melodrama: Adapting THE PRISONER OF ZENDA

“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April 30 at the historic Hedgerow…

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THE HITCHHIKER’S GUIDE TO THE GALAXY, PART 2 (Hedgerow): Infinite fun!

Familiarity with the pan-galactic Hitchhikers Guide isn’t necessary to appreciate this cosmic comedy, just a general suspension of time, disbelief and willingness to have infinite fun.

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Gaslighting Done Right: Interview with the cast of Hedgerow Theatre’s reinvented ANGEL STREET

Considering a trimmed, contemporized, and feminized version of a classic British drama

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THE HOUND OF THE BASKERVILLES (Hedgerow): Finding Sherlock

Thank goodness for Brock D. Vickers. In adapting one of Conan Doyle’s most popular Sherlock Holmes mysteries, he kept the intense tone of the original.

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Jared Reed, a profile

“Every other actor I know had to convince their parents about why they should be in theater,” Reed says. “I never had that.”

Photo by Wide Eyed Studios.

THE MYSTERIOUS AFFAIR AT STYLES (Hedgerow): Hercule Poirot at your service

Hedgerow Theater presents an original stage adaptation of Agatha Christie’s classic novel.

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OR (Hedgerow): love, lust, loyalties and loads of laughter!

Set in London, 1660, Liz Duffy Adams’s rollicking historical romp explores the remarkable life of Aphra Behn, a spy, poet, and England’s first professional female playwright.

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Arming GABLER: Prop designer Paul Kuhn talks about his work on HEDDA GABLER

Paul Kuhn is perhaps the finest designer in Philadelphia’s independent theater. He tells Phindie about his prop design for a site-specific production of Ibsen’s HEDDA GABLER.

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POST HASTE (Hedgerow): A play in fabulous form

“The best ingredients for likeableness are a happy expression of countenance, an unaffected manner, and a sympathetic attitude.” ~ Emily Post, Etiquette A sparkling performance, Frank E. Reilly’s captivating new…

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DON QUIXOTE (Hedgerow): Cervantes’ knight errant rides anew

The fanciful adventures of knight errant Don Quixote and loyal his sidekick Sancho Panza are refreshingly revived.

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Intergenerational Theater, part 2: Penelope Reed on working with a young director in ON THE VERGE (Hedgerow)

In this two-part series, Henrik Eger talks to Penelope Reed and Kittson O’Neill about their intergenerational collaboration in Hedgerow Theatre’s ON THE VERGE.

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Intergenerational Theater, part 1: Kittson O’Neill talks about directing the veteran cast of ON THE VERGE (Hedgerow)

In this two-part series, Henrik Eger talks to Penelope Reed and Kittson O’Neill about their intergenerational collaboration in Hedgerow Theatre’s ON THE VERGE.

Jennifer Summerfield, Maryruth Stine, Penelope Reed in ON THE VERGE at Hedgerow Theatre. (Photo credit: Ashley LaBonde of Wide Eyed Studios)

ON THE VERGE (Hedgerow): Self-discovery in the land of the unknown

There are so many layers to uncover in this work. It is a smart and clever piece; more performance art with humor and drama than a traditional comedy.

Friendzone? Jennifer Summerfield as Horatio. Photo by Kyle Cassidy.

HAMLET (Hedgerow): The play’s the thing

I have some friends who think William Shakespeare is the greatest writer in the English language, but they don’t like going to the theater to see performances of his work. Why,…

Jennifer Summerfield as Horatio and Jared Reed as the title character in Hedgerow Theatre's HAMLET. Photo by Kyle Cassidy.

[podcast] Cutting Hamlet: Director Dan Hodge on adapting Shakespeare’s masterpiece for the stage

Every staged version of Hamlet is edited. Posterity left us two “authentic” written versions of William Shakespeare’s masterpiece, as well as a poorly transcribed but dramatically more coherent “foul” text….

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SENSE AND SENSIBILITY (Hedgerow): I hated Jane Austen, but I love this

I took a seat on one of the long, cushioned benches at the unusual Hedgerow Theatre, a grist mill from the 1800s, for the opening night of SENSE AND SENSIBILITY. Satisfied that at least I was introduced to such a beautiful place, I wondered what Jane Austen was going to smother me with this time.

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MACBETH (Hedgrow): An ambitious and effective take on the Scottish play

Director Dan Hodge does not mind imposing his vision upon a text. His bold decision to combine the Ariel and Miranda characters proved surprisingly effective.in last season’s The Tempest at…