Janus Stefanowicz

Lantern Theater Company Coriolanus

CORIOLANUS (Lantern): Succeeding with a Shakespeare many companies wouldn’t attempt

With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience

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ELECTRA (Villanova): Sophocles gets electrified

Review of Sophocles’ Electra at Villanova Theatre

4. Lantern, AS YOU LIKE IT, Liz Filios, Jake Blouch, photo Mark Garvin

AS YOU LIKE IT (Lantern): As you’ve never seen it!

A cross-temporal interpretation of Shakespeare’s Elizabethan classic injects passages of current expressions and gestures, slapstick, and original music into the well-known pastoral rom-com.

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Corruption Then, Corruption Now: Interview with IRC director Tina Brock about Gogol’s THE GOVERNMENT INSPECTOR

IRC director Tina Brock shares her insights and experiences in producing and directing Gogol’s THE GOVERNMENT INSPECTOR.

Kingsley Ibeneche and Sanchel Brown lead the cast of BLACK NATIVITY. (Photo courtesy of Matthew J. Photography)

BLACK NATIVITY (Theatre Horizon): A celebration of human spirit

Ozzie Jones’s production of this updated Langston Hughes play dazzles in just about every way a theater piece can.

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PHOTOGRAPH 51 (Lantern): Discovering the secret of life

The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.

3. Theatre Horizon, IN THE BLOOD, Ashley Everage & Forrest McClendon

IN THE BLOOD (Theatre Horizon): Social satire in the service of compassion

Suzan-Lori Parks’ post-modern re-envisioning of Nathaniel Hawthorne’s The Scarlet Letter addresses the theme of destiny, the tragedy of poverty, and the societal need for compassion in a provocative in-your-face production

Ben Dibble in DOUBT. Photo by Mark Garvin.

DOUBT: A Parable (Lantern): Some things are certain

It may be daunting for theaters to produce the original theatrical source for a well-regarded movie, but Lantern Theater Company’s DOUBT shows why some plays are worth reclaiming for the stage.

David Howey and Beth Dixon in PTC’s OUTSIDE MULLINGAR (Photo credit: Mark Garvin)

OUTSIDE MULLINGAR (PTC): Land, loss, and love in rural Ireland

John Patrick Shanley’s rom-com charmer is a play about feelings, expressed with an Irish lilt by two generations of neighbors in the Emerald Isle

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THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE (Azuka): Connecting with audience

A thoroughly entertaining, beautifully staged exploration of trust, love, relationships, entanglement, dependency and technology and intimacy.