Jamison Foreman

white-theatre-horizon-review

WHITE (Theatre Horizon): Representation matters

Playwright James Ijames offers a searing examination of the commodification of black experience.

Tomfoolery-act-ii-playhouse-review

TOMFOOLERY (Act II): Rediscovering the satire of Tom Lehrer

Tom Lehrer is the smartest, most devilish, most perceptive, and most funny of the editorial songwriters

moon-misbegotten-walnut-review

A MOON FOR THE MISBEGOTTEN (Walnut): 60-second review

The Walnut’s production reveals the bones of an American classic if never quite fleshes out the potential of the enduring masterwork.

barrymore_awards_0

The winners of the 2014 Barrymore Awards…

From about 100 entries, winners in twenty-two categories were selected by a panel of twelve judges and announced at the Barrymore Awards ceremony tonight. InterAct Theatre’s Down Past Passyunk won top…

Photo by Kyle Cassidy

THE GLASS MENAGERIE (Commonwealth Classic): Through the glass darkly

Commonwealth’s production draws the curtain on enough of the play’s window into regret to reveal the melancholy brilliance of THE GLASS MENAGERIE.

Isa St. Clair, Allen Radway, and E. Ashley Izard in THE GLASS MENAGERIE. Photo by Kyle Cassidy.

Kyle Cassidy Photo Essay: THE GLASS MENAGERIE (Commonwealth Classic Theatre)

Kyle Cassidy photographs Commonwealth Classic Theatre Company’s production of Tennessee Williams’s THE GLASS MENAGERIE, now onstage at the Off Broad Street Theatre.

(Left to right) Adam Hoyak, Nicholas Park, Billy Kametz, Michael Linden, and Robert Hager in 11th Hour’s ALTAR BOYZ (Photo credit: John Flak)

ALTAR BOYZ (11th Hour): Raising the Praise!

The fast-paced spoof about a boy band saving the souls of an audience of sinners on the last stop of their “Raise the Praise” tour is filled with witty references to the Bible, the Passion of Christ, and the Catholic liturgy. The Boyz—aptly named Matthew, Mark, Luke, Juan, and Abraham–proselytize to prospective believers in real time through their songs, employing post-modern technology, current slang, and choreographed moves that gently skewer such popular acts as the Backstreet Boys and ‘N Sync.

Photo credit: Katie Reing

MIDSUMMER (Inis Nua): A Dream of a Rom-Com

Closing its 2013-14 season of funny and poignant contemporary two-handers with one-word titles (the excellent BLINK and TROUSERS—see Phindie reviews here and here, respectively—were the previous productions), Inis Nua presents…

Kevin Meehan.Photo credit: Kathryn Raines

WE ARE PROUD TO PRESENT (InterAct): Are You Black Enough?

Drury’s funny, traumatic, inventive and timely play will stab at you, personally, at least once. She asks whether it is important that a story be told, or if it is more important that it be told in a certain way. She uses the events in Namibia to illustrate the cracks in our own culture, the divides caused by racial issues even among a group of people who would probably all vote for the same candidate..