Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
GENTLEMAN VOLUNTEERS displays charm, psychological interest, and fringe sentiment which planted the roots of Pig Iron’s experimentation.
Local theater writers vote for their favorites in twelve categories!
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.
TWELFTH NIGHT being the 1602 equivalent of a holiday special, there’s no shortage of booze-riddled merriment in Pig Iron’s revival from the 2011 Fringe Festival.
David Patrick Stearns writes yet another petulant review, this time of Pig Iron’s TWELFTH NIGHT. If he whines enough that he isn’t entertained at theater and doesn’t get it, will…