Pulitzer winners aren’t always great theatrical works, but they are often very revealing about the times in which they won
View More FAIRVIEW (Wilma): 60-second review
Tag: James Ijames
REVERIE (Azuka Theatre): Aiming for a high bar
What with James Ijames winning the Pulitzer Prize for Drama (bravo!) two days ago, the bar was set very high for his newest play
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Winning a Pulitzer, Directing a Pulitzer-winner
2022 Pulitzer Prize winner James Ijames directs the 2019 Pulitzer winner Fairview at the Wilma.
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The Wilma Announces A Fundraiser Supporting Ukraine
As the world reaches out a hand to help the Ukrainian people amidst the Russian invasion, the local Philadelphia theater community is finding its own ways to contribute. In solidarity with Ukraine, the Wilma Theater presents a special event next week featuring the work of Ukrainian playwright Natal’ya Vorozhbit, raising money for those affected by the war.
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Considering Wilma’s Next Chapter: Blanka Zizka is joined by three co-directors
Changes are afoot at the Wilma Theater, with Blanka Zizka moving on from her role as sole artistic director after forty years in charge of the company.
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MY GENERAL TUBMAN (Arden): Ancestors calling
Time travel as spiritual reality and a throbbing moral obligation
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ORLANDO (Villanova): Blurred lines
As Orlando journeys through genders and centuries, the pain and beauty of being a human in a body is explored with a vibrant commitment to the process of theater-making.
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GEM OF THE OCEAN (Arden): A thing of beauty
GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.
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COMPLETENESS (Theatre Exile): Algorithms and geek romance
Seduction by examples of computational intractability
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James Ijames Gets Kesselring Prize
Philadelphia playwright wins prestigious award.
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KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review
There’s no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder
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All Things Must Pass: Orbiter 3 members consider their finale
In the end, the plays you produce are greater than the plays you don’t
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Back to Prison: Playwright Kash Goins on his reprised play V to X at Arden Theatre
Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.
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Theater in Sketch: THE BROWNINGS (Orbiter 3)
The art world can be as small as one makes it, and the codependent relationship in THE BROWNINGS begins to shut out the rest of the world.
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THE BROWNINGS (Orbiter 3): Let me count the f%&*ing ways
In a heartfelt moment, Elizabeth Barrett Browning tells her poet-husband, “I’m going to dip your cock in laudanum and fuck you til i’m high”
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International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
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THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
View More THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
Local playwright makes good: An interview with Jacqueline Goldfinger
It’s been a banner month for local playwright Jacqueline Goldfinger.
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WHITE (Theatre Horizon): Representation matters
Playwright James Ijames offers a searing examination of the commodification of black experience.
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How should Philadelphia Theatre Company rebrand itself?
Cameron Kelsall has some ideas for the new executive director.
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