There’s no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder
In the end, the plays you produce are greater than the plays you don’t
Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.
In a heartfelt moment, Elizabeth Barrett Browning tells her poet-husband, “I’m going to dip your cock in laudanum and fuck you til i’m high”
International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
It’s been a banner month for local playwright Jacqueline Goldfinger.
Cameron Kelsall has some ideas for the new executive director.
PlayPenn interns describe what its like to work with top playwrights.
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
In Africa as elsewhere, for queers as for everyone, life plays out messily in small tragedies and little loves.
Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life.
How do you get your play accepted to PlayPenn? Founder Paul Meshejian gives the low down to the selection process.