Chuck Shultz sketches the al fresco production of TWELFTH NIGHT.
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
The messiness in Rachel Gluck’s debut play is what make it most lifelike. In the end, what are any of us but destructive dualities, fighting between our desires and our own self-interest?
A series of stand-up monologues culled from the satirical articles of The Onion delivered riotous socio-political commentary in a fast-paced 75 minutes.
Warning: Don’t see this erotic-thriller-parody if you take life too seriously! Also: Don’t take life to seriously.
Any house is a DREAM HOUSE with some imagination: Philadelphia Local Artists for Youth and Plays & Players prepare a Rainy Day Play
A product of the Philadelphia Local Artists for Youthprogram, DREAM HOUSE is is designed to unleash the creativity of audiences young and old alike.
Since moving to Philadelphia in 2009 (from New York, where she began her career), and joining the Philadelphia theater community as a freelance director, producer, and educator in the fall…