Irungu Mutu

Julianna Zinkel and Irungu Mutu in Bristol Riverside Theatre’s production of THE LANGUAGE ARCHIVE (Photo credit: Mark Garvin)

THE LANGUAGE ARCHIVE (BRT): A poetic parable about the language of love

Julia Cho’s lofty romantic comedy examines the beauty of language and the failure of humans to communicate.

Lance Coadie Williams and Zainab Jah in Wilma Theater's THE CONVERT. Photo by Alexander Iziliaev.

THE CONVERT (Wilma/Woolly Mammoth): Shining a light on colonialism

Colonialism is Pygmalian writ large: one culture trying to civilize another. In Danai Gurira’s melodramatic THE CONVERT, a priggish preacher (Irungu Mutu) in 1895 Rhodesia (present-day Zimbabwe) seeks to educate and…