HYPE MAN: A BREAK-BEAT PLAY (InterAct): Compromise and dialog can work
Idris Goodwin’s play shows how compromise and dialog work better than insults and labels
Idris Goodwin
The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?
Is the Christmas period still a financial savior for their theaters and choruses.
HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs
Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.
HANDS UP (Flashpoint): From micro- to macro- aggressions
As the nation mourns the victims of over-zealous policing, Flashpoint Theatre Company’s HANDS UP attempts to make sense of this injustice.
