Idris Goodwin’s play shows how compromise and dialog work better than insults and labels
View More HYPE MAN: A BREAK-BEAT PLAY (InterAct): Compromise and dialog can workTag: Idris Goodwin
The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?
Is the Christmas period still a financial savior for their theaters and choruses.
View More The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs
Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.
View More HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbsHANDS UP (Flashpoint): From micro- to macro- aggressions
As the nation mourns the victims of over-zealous policing, Flashpoint Theatre Company’s HANDS UP attempts to make sense of this injustice.
View More HANDS UP (Flashpoint): From micro- to macro- aggressions