Idris Goodwin

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HYPE MAN: A BREAK-BEAT PLAY (InterAct): Compromise and dialog can work

Idris Goodwin’s play shows how compromise and dialog work better than insults and labels

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The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?

Is the Christmas period still a financial savior for their theaters and choruses.

Photo by Joanna Austin/ AustinArt.org.

HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs

Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.

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HANDS UP (Flashpoint): From micro- to macro- aggressions

As the nation mourns the victims of over-zealous policing, Flashpoint Theatre Company’s HANDS UP attempts to make sense of this injustice.