Idiopathic Ridiculopathy Consortium
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
I’ve been sitting in on some of the absurdist theater company’s rehearsals, sketching and liking what I see.
Tina Brock and company make Ionesco’s absurd SOPRANO sing.
What to see at the 2017 Philadelphia Fringe Festival
Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.
Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.
IRC presents a must-see revival of Eugene Ionesco’s 1952 classic THE CHAIRS, a defining work of the theater of the absurd.
“Casting call” for the chairs in Ionesco’s THE CHAIRS: Interview with IRC artistic director Tina Brock
The Idiopathic Ridiculopathy Consortium brings Eugene Ionesco’s hilarious, controversial, absurdist classic THE CHAIRS to the 2016 Fringe Festival. We talk to director Tina Brock about the show.
Tina Brock talks about Idiopathic Ridiculopathy Consortium’s Fringe show Eugene Ionesco’s THE CHAIRS.
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
A series of stand-up monologues culled from the satirical articles of The Onion delivered riotous socio-political commentary in a fast-paced 75 minutes.
Multi-talented theater artists Aaron Cromie and Emily Schuman formed Chickabiddy in 2015.
Corruption Then, Corruption Now: Interview with IRC director Tina Brock about Gogol’s THE GOVERNMENT INSPECTOR
IRC director Tina Brock shares her insights and experiences in producing and directing Gogol’s THE GOVERNMENT INSPECTOR.
In this two-part interview with Idiopathic Ridiculopathy Consortium (IRC) director Tina Brock shares facts and her insights on Gogol’s The Government Inspector,
A collection of six short one-act comedies address the existentialist dilemma and pose the ubiquitous question, “What if?”
When an actor cannot move, the director has to jump in: Tina Brock is the new KING in the sold-out final performances of Ionesco’s classic
Director Tina Brock shares her thoughts as she steps into the lead role for IRC’s final performances of EXIT THE KING
Henrik Eger talks to director Tina Brock about this intriguing Fringe production.