Bernard Havard shares his experiences with his creative team for A WOMAN OF NO IMPORTANCE by Oscar Wilde:
View More What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street Theatre
Tag: Ian Merrill Peakes
As if Oscar Wilde himself had arrived on the Walnut stage: Interview with Bernard Havard on casting and working with his actors
Part 2 of Henrik Eger’s interview with Walnut Theatre head Bernard Havard
View More As if Oscar Wilde himself had arrived on the Walnut stage: Interview with Bernard Havard on casting and working with his actors
Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
Bernard Havard discusses the risks of running a theater as few producers and directors would be willing to
View More Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
An Important Role: Karen Peakes on playing Wilde at the Walnut
Karen Peakes is portraying the sassy, outspoken Mrs. Allonby in A WOMAN OF NO IMPORTANCE at the Walnut
View More An Important Role: Karen Peakes on playing Wilde at the Walnut
A WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofa
How wonderful that we have Oscar Wilde’s works and can go and see his plays
View More A WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofa
A WOMAN OF NO IMPORTANCE (Walnut Street): 60-second review
A play of little importance
View More A WOMAN OF NO IMPORTANCE (Walnut Street): 60-second review
Philadelphia Theater through the eyes of J. Cooper Robb, Part 1: 2002–2003
Remembering Philadelphia theater history through the eyes of a venerable theater reviewer.
View More Philadelphia Theater through the eyes of J. Cooper Robb, Part 1: 2002–2003
Theater in Sketch: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (Walnut Street)
A review in words and sketch by Chuck Schultz and Yumna Tolaimate
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BASKERVILLE: A SHERLOCK HOLMES MYSTERY (Walnut Street): Ken Ludwig’s version turns the story on its head
An ancestral manor, a family curse, a fiend: Ken Ludwig’s version turns this Sherlock Holmes story on its head.
View More BASKERVILLE: A SHERLOCK HOLMES MYSTERY (Walnut Street): Ken Ludwig’s version turns the story on its head
THE CRAFTSMAN (Lantern): Crafting a good story
Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.
View More THE CRAFTSMAN (Lantern): Crafting a good story
BLITHE SPIRIT (PA Shakes): 60-second review
Nothing beats watching actors at the top of their game biting into crunchy material and whipping it into a tasty delight.
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THE TAMING OF THE SHREW (PA Shakes): Shrewd Shakespeare
A good production that benefits most when it puts farce aside and concentrates on two people using their will to create partnership and harmony
View More THE TAMING OF THE SHREW (PA Shakes): Shrewd Shakespeare
Taken Hostage By a Play: Interview with Ian Merrill Peakes on THE INVISIBLE HAND
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
View More Taken Hostage By a Play: Interview with Ian Merrill Peakes on THE INVISIBLE HAND
THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
To call THE INVISIBLE HAND dramatic would be an understatement.
View More THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
[podcast] J. Paul Nicholas on THE INVISIBLE HAND
J. Paul Nicholas on the politics and conversations that surround this well-executed production.
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PETER AND THE STARCATCHER (Walnut): A wacky look at the backstory of Peter Pan
An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.
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HARVEY (Walnut): Burns slow, then hops right along
The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.
View More HARVEY (Walnut): Burns slow, then hops right along
EQUIVOCATION (Arden): They made him an offer he can’t refuse
In the wake of the Gunpowder Plot of 1605, Shakespeare is summoned to take on a play commission for the Crown.
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MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
View More MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
MACBETH (Arden): Shakepeare as spectacle [critical mass review #4]
It’s the fourth installment of the Critical Mass review of MACBETH at the Arden, but Julius Ferraro thinks too many works have already been written about an unremarkable piece of theater.
View More MACBETH (Arden): Shakepeare as spectacle [critical mass review #4]