Henrik Eger

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Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT

Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.

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Dinner for One: The greatest cult film you’ve never heard of

A comedy little known in its native Britain has become a cult favorite in Germany.

Scott Greer in Every Brilliant Thing, Photo by Ashley Smith LaBonde

EVERY BRILLIANT THING (Arden): Scott Greer in an entertaining, painful, life-enhancing play

To balance the traumas of life—from a difficult childhood through a challenging adulthood—a man writes down every brilliant thing, every wish he can think of.

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I Just Wanted To Be Happy: SUICIDE STORIES, a Fringe preview

How would you feel if your entire life was summed up by a single number? A suicide statistic.

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Even Talking about Suicide Is Difficult: Nine playwrights on collaborative playwriting with Elephant Room Productions

The subject of suicide is so taboo that few playwrights tackle the topic, and even fewer theater companies present a whole evening of plays about suicide.

Mother Emanuel cast. Front LtR, Lauren Morgan, Christopher Augustin, Sabriaya Shipley. Back, Christian Branch. Image by Ethimo Foto.

MOTHER EMANUEL—AN AMERICAN MUSICAL PLAY (New Freedom Theatre): Taking the theater to church

New Freedom Theatre honors Emanuel Nine in new musical by creating a gospel celebration that honors their lives

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WHITE: James Ijames on PlayPenn and Playwriting

James talked to Phindie about the genesis of WHITE and its development at PlayPenn, a Philadelphia-based organization for the development of new plays.

Shelley Butler and Patrick Ross at PlayPenn. Photo by John Flak.

Beyond PlayPenn: Former conference interns come into their own, part 3

Former PlayPenn interns come into their own as theater professionals.

Patrick Ross with a script by James Ijames at PlayPenn, 2015. PlayPenn. Photo by John Fleck,

Under the wing of America’s most promising playwrights: PlayPenn interns speak, part 2

PlayPenn interns describe what its like to work with top playwrights.

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Welsh Christmas in Philadelphia: Interview with the cast of Walnut Street Theatre’s A CHILD’S CHRISTMAS IN WALES

A CHILD’S CHRISTMAS IN WALES: Interview with Aaron Cromie, Scott Greer, Maggie Lakes, Matthew Mastronardi, and Amanda Jill Robinson

Lauren Feldman. Photo by Joey Stocks.

“Lauren Feldman is a goddess”: 10 Philadelphia playwrights describe a beloved PlayPenn teacher

Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.

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Six Questions for Six Directors: John O’Hara’s 12 CHAIRS gets a revamped production

Female-centric theater group ReVamp Collective presents 12 CHAIRS.

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Gaslighting Done Right: Interview with the cast of Hedgerow Theatre’s reinvented ANGEL STREET

Considering a trimmed, contemporized, and feminized version of a classic British drama

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Talking EMPEROR JONES: Interview with the director and cast of O’Neill’s tragedy at the South Camden Theatre Company

Eugene O’Neill’s THE EMPEROR JONES kicks off the South Camden Theatre Company’s Fall season

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Leading the Blind: Interview with the director and cast of Irish Heritage Theatre’s MOLLY SWEENEY

We presented five questions to IRT’s Peggy Mecham, the director, and the three cast members: Kirsten Quinn as Molly Sweeney, the blind woman; Ethan Lipkin as the husband; and Michael P. Toner as the physician.

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A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia

Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).

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Black Theater and How It Can Heal A Community: An historic town hall meeting in Philadelphia

Black theater speaks to the souls and cells of Black folk, and it is within this space that healing may occur.