Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
A comedy little known in its native Britain has become a cult favorite in Germany.
To balance the traumas of life—from a difficult childhood through a challenging adulthood—a man writes down every brilliant thing, every wish he can think of.
International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
How would you feel if your entire life was summed up by a single number? A suicide statistic.
Even Talking about Suicide Is Difficult: Nine playwrights on collaborative playwriting with Elephant Room Productions
The subject of suicide is so taboo that few playwrights tackle the topic, and even fewer theater companies present a whole evening of plays about suicide.
New Freedom Theatre honors Emanuel Nine in new musical by creating a gospel celebration that honors their lives
Former PlayPenn interns come into their own as theater professionals.
PlayPenn interns describe what its like to work with top playwrights.
Welsh Christmas in Philadelphia: Interview with the cast of Walnut Street Theatre’s A CHILD’S CHRISTMAS IN WALES
A CHILD’S CHRISTMAS IN WALES: Interview with Aaron Cromie, Scott Greer, Maggie Lakes, Matthew Mastronardi, and Amanda Jill Robinson
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.
Female-centric theater group ReVamp Collective presents 12 CHAIRS.
Waking up Trump and all sexual molesters through THE CONSEQUENCE OF LOCKER ROOM TALK. An interview with playwright-director Shelli Pentimall Bookler.
Shelli Pentimall Bookler grabs the … political moment with a script-in-hand production.
Considering a trimmed, contemporized, and feminized version of a classic British drama
Talking EMPEROR JONES: Interview with the director and cast of O’Neill’s tragedy at the South Camden Theatre Company
Eugene O’Neill’s THE EMPEROR JONES kicks off the South Camden Theatre Company’s Fall season
We presented five questions to IRT’s Peggy Mecham, the director, and the three cast members: Kirsten Quinn as Molly Sweeney, the blind woman; Ethan Lipkin as the husband; and Michael P. Toner as the physician.
The International Philly Fringe: A welcome to 28 countries
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
Black theater speaks to the souls and cells of Black folk, and it is within this space that healing may occur.