Henrik Eger greets international Fringe artists.
Haygen Brice Walker
WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walker’s previous Fringe entries
On the Rocks trust the process.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
The scary midnight show is something of a Fringe tradition. SPOOKFISH fits the bill this year.
This chaotic opus reaches Monty Python levels of absurdity one would never associate with Shakespeare’s own overlooked tragedy reject.
Two original one-hour plays inspired by the life and popular children’s book of Scottish author J.M. Barrie