Harry Smith

Harry Smith (Photo credit: Xanthe Elbrick)

From the UK to Philadelphia to Broadway: An interview with actor Harry Smith

British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.

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PHOTOGRAPH 51 (Lantern): Discovering the secret of life

The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.

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AND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of fun

Agatha Christie has always been a theatrical guilty pleasure, like sitting down with a nice genre book or singing along to top 40

Harry Smith (left) and Ian Merrill Peakes in "The Body of an American." Photo by Alexander Ilziliaev.

THE BODY OF AN AMERICAN (Wilma): War lives in all of us

Did anyone anywhere actually believe that being photographed would take away the soul, or is that the kind of ethnocentric nonsense we need good foreign journalism to counter?

Tom Stoppard's The Real Thing at The Wilma

THE REAL THING (The Wilma): Exquisite dialogue shines through spotty production

Tom’s Stoppard’s dramedy THE REAL THING is set on a constantly evolving stage transforming into different locations in the UK during the early 1980s. Sky-high walls disappear, doors emerge out of nowhere, and scenes fluidly fold into the next with the help of nimble cast and crewmembers. First off, a man sits building a house of cards in a perfectly done up living room, while awaiting his wife’s return. The card house collapses with her sudden entrance, as does their marriage when he confronts her with the passport she left behind – on her trip out of the country. The whole scene feels rather put on, and the fake English accents don’t help.

(clockwise from left) Julianna Zinkel, Clare Mahoney, Jessica Bedford, and Becky Baumwoll in PRIDE & PREJUDICE at People’s Light & Theatre Company (Photo credit: Mark Garvin)

PRIDE & PREJUDICE (People’s Light & Theatre Company): Structure and Snobbery in Regency England

PRIDE & PREJUDICE, Jane Austen’s classic tale of class, courtship, and decorum in 19th-century England, celebrated its 200th anniversary in 2013. People’s Light & Theatre Company continues the celebration with…

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EMMA (Lantern): Meddlesome Matchmaking and Regency Amusements

The Lantern opens its twentieth anniversary season with the Philadelphia premiere of Jane Austen’s class-conscious romantic comedy of manners, in which a young idle-rich heroine’s matchmaking and meddling go awry…

Lantern Theater Company's production of Jane Austen's EMMA review

EMMA (Lantern): Philly falls for Austenmania

Over the past few years, there’s been a surprising and unlikely spark of interest in Jane Austen. Austen’s novels—Pride & Prejudice, Sense & Sensibility, Persuasion, et al—have been required reading for over…

Inis Nua Hand of Gaul review photo

60-second review: THE HAND OF GAUL (Inis Nua)

A pleasingly unpretentious comedy, THE HAND OF GAUL is something of a departure for Inis Nua, which generally produces serious works by contemporary Irish and British playwrights. Part of the…