CRIMES OF THE HEART (Curio): Deliciously dark Southern fare
Beth Henley’s play remains relevant because its central characters feel so vibrantly human
Beth Henley’s play remains relevant because its central characters feel so vibrantly human
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
OEDIPUSSY isn’t something to analyze, it’s just something to enjoy— an antidote to life’s heavy stuff. Appealingly physical and comically overwrought, it’s tons of fun. The most amazing thing about this lunatic version is that the epic tragic story actually emerges through all the clowning, sight gags and laughter.
Harry Slack has cut the gaping holes in Shakespeare’s logic into microscope slides, and the result is a hilarious and self-aware send-up of the rarely-discussed flaws in the work of our most beloved playwright.
“Rare moths, wives pretending to be sisters,” deadly moors, escaped killers, and a legendary hellhound: the plot points of Arthur Conan Doyle’s THE HOUND OF THE BASKERVILLES are ripe for…