Gregory Isaac

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IPHIGENIA AT AULIS (PAC): 2017 Fringe review

If there’s an ideal company to introduce works of classical theater, it’s the Philadelphia Artists’ Collective

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THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

Mattie Hawkinson (as Penthea), Josh Carpenter (as Orgilus), Gregory Isaac (as Bassanes). Photo by Shawn May.

THE BROKEN HEART (Quintessence): Dark matter

Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.

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Theater in Sketch: MOTHER COURAGE

Some sketches of some Brecht.

Janis Dardaris (as Mother Courage), Forrest McClendon (as The Cook). Photo by Shawn May.

MOTHER COURAGE AND HER CHILDREN (Quintessence): Epic theater!

Quintessence Theatre brings to life a beautifully staged, truly epic production of Bertolt Brecht’s MOTHER COURAGE AND HER CHILDREN, as brilliantly directed by Alexander Burns.

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DOCTOR FAUSTUS (Quintessence): If you want to know everything, go to hell

A remarkably original and gloriously entertaining version of the Marlowe play.

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SAINT JOAN (Quintessence): The Maid’s new clothes

George Bernard Shaw’s play is presented in rich tonalities of color, light, positioning, and sound. It is wide awake.

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THE MANDRAKE (Quintessence): A Machiavellian sex satire

What could be so funny in a play written nearly 500 years ago? There is something for everyone to either laugh or balk at in this bawdy production of a play by Machiavelli.

Photo by Shawn May.

ROMEO AND JULIET (Quintessence): What fray was here?

In the eyes of director Alexander Burns this doomed romance never stood a chance.

Ken Sandberg, Connor Hammond (as d'Artagnan), Parke Fech. Photo by Alexander Iziliaev.

THE THREE MUSKETEERS (Quintessence): Swordplay and horseplay combine in a breezy adaptation

As always with an Alexander Burns production, imagery is rife, props are creative, and jokes come as much from sight gags as from dialogue.