Gabriel Rebolla

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The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?

Is the Christmas period still a financial savior for their theaters and choruses.

jumpthemoon

JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2

o subtitles necessary to hear praises sung for women astronomers of the late 19th century.

1. POC, JUMP THE MOON, ACrosby, KKunkle, ptho JWallace

JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1

An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.

Philadelphia Opera Collective, BY YOU THAT MADE ME FRANKENSTEIN (Photo credit: Harish Pathak)

BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): Fringe Review 51

The compelling two-act opus captures the historic characters, events, and mood with passion and clarity.