FringeArts

lucinda-childs-selected-dances-review

Modern dance DNA is Childs’ play

The retrospective of Judson Church choreographer-dancer Lucinda Childs’ SELECTED DANCES, 1963-78 last week was instructive and artistically purposeful. This work is still so vibrant in its exploratory nature that Childs’ innovations are part of the evolving dance stream.

OUT OF TIME (Colin Dunne) Fringe review Philadelphia

[58] OUT OF TIME (Colin Dunne): Fringe review

Dim lighting, old motion clips, tap shoes, broad sounds, and internationally acclaimed Colin Dunne in the flesh, calling Irish dance “exhibitionistic”: these elements and more make up OUT OF TIME….

Where (we) Live by Sō Percussion

[34] WHERE (WE) LIVE (So Percussion): Fringe review

Like vague early childhood memories of “home”, the eight players of WHERE (WE) LIVE assemble without an introduction, scattering to spaces cluttered with objects, lights, and instruments. Beer brewers begin…

Bill Golderer. Photo by Michael T. Regan

Fringe interview: BSM Pastor Bill Golderer talks about the controversial On the Concept of the Face Regarding the Son of God

The FringeArts-sponsored On the Concept of the Face Regarding the Son of God is one of the most anticipated shows of the 2013 Fringe Festival. Creator Romeo Castellucci is regarded…

2014 Fringe Festival Philadelphia

2013 Philly Fringe Festival :: the MOST coverage and Six Picks for the Festival

As its mission, Phindie provides independent coverage of Philadelphia theater and arts, with a focus on independent theater. So the Philly Fringe Festival* is a perfectly aligned two-week event. With…

Ajax, the madness. Atis Theater. Philadelphia Fringe review.

[2.2] AJAX, THE MADNESS (Attis Theatre): Fringe review

To call this play My Big Fat Greek Endurance Test would be flippant, but it wouldn’t be far off the mark. Certainly AJAX, THE MADNESS tests the artists’ stamina and…

Ajax, the madness. Atis Theater. Philadelphia Fringe review.

[2.1] AJAX, THE MADNESS (Attis Theatre): Fringe review

Men are made into animals. Animals turn into men, and then are murdered. Bloody, bloody Ajax. His story settles in on you, in the way that something that is deeply…

Adjacent Spaces by Leah Stein Dance Company Fringe

Fringe Preview: Architectural dance alchemy, Adjacent Spaces by Leah Stein Dance Company

Published by The Dance Journal. Reprinted with kind permission. Leah Stein has had a very prolific year performing and choreographing with several projects overlapping, including the first revival of her…

2014 Fringe Festival Philadelphia

Dance at Fringe 2013

Published by The DANCE Journal, republished by kind permission. The hot, muggy dog days of Summer are upon us and things have slowed down a bit in the way of…

Mark Cofta interview photo

Just one asshole with an opinion: theater critic Mark Cofta on the art of reviewing and observations on Philly’s theater scene

Originally published on the FringeArts blog. Republished with kind permission. “I see 150 to 180 plays a year, and still always regret missing a bunch.” Mark Cofta has been covering…

tax-day

Tax time. Is there any money in theater?

Like the rest of us, theater companies have to file taxes. This tax day, we look at some information from the most recent publicly available tax returns (generally 2012) for some major and independent Philadelphia companies.

4.-live_arts_rendering-credit_WRT_Planning__Design-650x413

Philadelphia FringeArts Unveils Plans for its New Headquarters

The historic High Pressure Fire Service Building on the corner of Race Street and Columbus Boulevard will have a new life as the permanent headquarters of the Philadelphia Live Arts…