The three artists in Subcircle transform the FringeArts stage in a never-ending improvisation.
It is our job as artists to create environments for people to see things differently. Pig Iron did that.
Sketches by Chuck Schultz.
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.
A RIDE ON THE IRISH CREAM (Erin Markey/ FringeArts): The mind does crazy, sexy, cool things with memories
In A RIDE ON THE IRISH CREAM the script and choreography embodied the textures and lyricism of the music.
SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor
Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare
The boundaries are always open.
Events like AT HOME WITH THE HUMORLESS BASTARD need to happen more often. It isn’t just dance; it is socially provocative artwork.
“Is this a dance performance or a social experiment?”
“I am simply here to dance,” says Faustin Linyekula.
Four minutes of prolonged eye contact can incur a boost of oxytocin, a chemical that decreases stress and instills positive emotions.
An exploration of divorce and disconnection in the California desert.
A testament to what Fringe can do: defy genre, defy theme, defy medium, and somehow still manage to be cohesive and emotionally haunting