A no-holds-barred look at the ways in which white feminists, with the best of intentions, don’t always walk even their own talk.

Publicity for the show focuses on the question, “What is beauty?,” but the show itself goes much deeper.

Jaamil Olawale Kosoko makes us feel comfortable before getting all Prince Purple Rain on us. It’s great.

The company that brings us the Philadelphia Fringe Festival keeps the Fringe coming all year long with presentations by inventive local and visiting artists.

Sketches of the monthly cabaret show at La Peg.

The three artists in Subcircle transform the FringeArts stage in a never-ending improvisation.

It is our job as artists to create environments for people to see things differently. Pig Iron did that.

Sketches by Chuck Schultz.

Our personal space is our own

Bringing it all back home

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.

Republished by kind permission from FringeArts. Bradley Wrenn, co-founder of The Berserker Residents, talks about how the company is revamping their 2015 Fringe hit It’s So Learning to reflect our new, terrifying…

In A RIDE ON THE IRISH CREAM the script and choreography embodied the textures and lyricism of the music.

Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare

The boundaries are always open.

Events like AT HOME WITH THE HUMORLESS BASTARD need to happen more often. It isn’t just dance; it is socially provocative artwork.

“Is this a dance performance or a social experiment?”

What exactly is the relationship between Jean and Terry?

Philadelphia artist Melissa Krodman and long-time collaborator Kelly Bond enter the mind’s eye for an experimental new play.

Witnessing Jérôme Bel’s dance I captured the representation of a baroque drama, an existential dance, and light and sound personified.