A satire of suburban ennui melded with a girlhood drama has never morphed more seamlessly into a body-horror monster movie.
View More Hatching (Dir. Hanna Bergholm): Film review
Tag: film review
The Northman (dir. Robert Eggers): Film review
“The Northman” might be Robert Eggers’ most accessible film and yet it never compromises itself as a Robert Eggers film, complete with old-world authenticity and forbidding weirdness. I
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Dual (dir. Riley Stearns): Film review
Not everyone will be on filmmaker Riley Stearns’ oddball wavelength, but it’s the viewer’s choice. In the case of droll, tightly-scripted sci-fi black comedy “Dual,” they’ll wish they could be. In what is very much from Stearns’ voice, the film is dryly comic, offbeat, andvanchored by dual performances from Karen Gillan that are subtly disparate but equally deadpan and finely tuned.
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You Won’t Be Alone (dir. Goran Stolevski): Film Review
“You Won’t Be Alone,” Goran Stolevski’s writing-directing feature debut, is something special. More than just “arthouse horror,” Stolevski’s film is a haunting meditation on identity, humanity, and how everything is relative, but also a sensory experience with some bloody innards. It’s unsettling, yet challenging and magical, and if you just let it wash over you, the spell is rewarding.
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The Outfit (dir. Graham Moore): Film review
Author Graham Moore (who adapted his book The Imitation Game for the Benedict Cumberbatch-starrer of the same name) makes his writing-directing debut, and he decidedly shows a lot of skill in ratcheting up tension and claustrophobia in mostly one room for one long night. It’s a little like Hitchcock’s Rope in that way, but with more sharp objects.
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OH MERCY! (orig. “Roubaix, une lumière”) (dir. ARNAUD DESPLECHIN): 2019 Philadelphia Film Festival Review
Suspense is just a side effect to this crime-ridden film that’s not a crime film
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BY THE GRACE OF GOD (orig. “Grâce à Dieu”) (dir. François Ozon) 2019 Philadelphia Film Festival review
Prepare to be outraged, triggered, maybe cringe a bit, cry a bit, smile a bit, or get up and cheer for justice. At the very…
View More BY THE GRACE OF GOD (orig. “Grâce à Dieu”) (dir. François Ozon) 2019 Philadelphia Film Festival review
BODIED (dir. Joseph Kahn): Philadelphia Film Festival review
The film blogosphere has been alight about Joseph Kahn’s latest feature, Bodied, since its explosive debut at TIFF over a year ago.
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BAD DAY FOR THE CUT (dir. Chris Baugh): Philadelphia Film Festival review
The right amount of craftsmanship can elevate even the lowest budget film into something special,
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THE SQUARE (dir. Ruben Östlund): Philadelphia Film Festival review
The Square uses awkward humor to explore the ridiculousness of ‘high class’ expression.
View More THE SQUARE (dir. Ruben Östlund): Philadelphia Film Festival review