No published or produced play has been the source for a Best Adapted Screenplay award since 1989.
An excellent play well done.
E. Ashley Izard tackles one of the most daunting roles in the American canon.
I feel like I know the value of experimental theater thanks to the folks at Target Margin.
Talking EMPEROR JONES: Interview with the director and cast of O’Neill’s tragedy at the South Camden Theatre Company
Eugene O’Neill’s THE EMPEROR JONES kicks off the South Camden Theatre Company’s Fall season
You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE
Matt Pfeiffer discusses the Eugene O’Neill play ahead of PAC’s reading.
The Walnut’s production reveals the bones of an American classic if never quite fleshes out the potential of the enduring masterwork.
Frank E. Reilly’s latest play, POST HASTE, just finished its world premiere run at the Hedgerow Theatre. Henrik Eger interviewed the playwright about his works.
There are plenty of things to thrill over in Quintessence Theatre Group’s stirring, and impressively-performed, MOURNING BECOMES ELECTRA. Director Alex Burns and his well-picked ensemble continue to impress.
Eugene O’Neill’s early maritime heart-wrenchers, Bound East for Cardiff and In the Zone, are brought to life in the Philadelphia Artists’ Collective’s devastatingly effective site-specific production of THE SEA PLAYS….
With a series of celebrated readings and full productions (including 2012 Fringe hit The Creditors) Philadelphia Artists’ Collective has established a reputation as one of the best independent companies in…