Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.
Based on the beloved novel, Don Quixote de la Mancha by Miguel de Cervantes, DON QUIXOTE has been one of the most popular and challenging ballets for over a century.
A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet. 
WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review Relevant themes and ideas rarely seen on an opera stage 
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review On the Rocks proves you can dismantle the master’s house with his tools. 
TOWN (Jolie Darrow & Jack O’Keeffe/PHIT Comedy): 2017 Fringe review TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake. 
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review The promise of “something for everyone” is both too little and too much. 
There are few events in life as rife with the heightened emotions of love and loss as weddings and funerals. Add to them the unbridled passions of being Italian and gay, then throw in a rollicking roster of loud but (mostly) lovable stereotypes, and the comedic possibilities increase exponentially in playwright Anthony J. Wilkinson’s MY BIG GAY ITALIAN WEDDING and MY BIG GAY ITALIAN FUNERAL.
