At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.

Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.

The scary midnight show is something of a Fringe tradition. SPOOKFISH fits the bill this year.

This chaotic opus reaches Monty Python levels of absurdity one would never associate with Shakespeare’s own overlooked tragedy reject.

Reject Theatre Project launches this week with an inventive take on Shakespeare’s CORIOLANUS courtesy of Lesley Berkowitz.

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word

This Wednesday, Quince Productions continues an exciting GayFest! with the opening of Next Fall, playwright/actor Geoffrey Nauffts’ Tony Award-nominated play. Next Fall tackles big issues without big presumptions, approaching societal white…