Eric Baker

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DELIRIUM (EgoPo): 60-second review

At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.

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THE WOMEN (EgoPo): An engaging show turns a trifle into a treatise

Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.

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SPOOKFISH (Haygen Brice Walker and Jessica Schwartz): 2015 Fringe review 17

The scary midnight show is something of a Fringe tradition. SPOOKFISH fits the bill this year.

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CORIOLANUS (SHAKESPEARE ROULETTE) (Reject): Not your average tragedy

This chaotic opus reaches Monty Python levels of absurdity one would never associate with Shakespeare’s own overlooked tragedy reject.

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Reject Shakespeare: New theater company presents an impromptu CORIOLANUS with a drinking game

Reject Theatre Project launches this week with an inventive take on Shakespeare’s CORIOLANUS courtesy of Lesley Berkowitz.

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THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): 2014 Fringe Review 35

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word

Richie Sklar (l.) and Peter Zielinski in Geoffrey Nauffts' NEXT FALL. Photo by John Donges.

Queer and Christian: a preview of NEXT FALL (Quince, GayFest! 2014)

This Wednesday, Quince Productions continues an exciting GayFest! with the opening of Next Fall, playwright/actor Geoffrey Nauffts’ Tony Award-nominated play. Next Fall tackles big issues without big presumptions, approaching societal white…