Part chorale work, part theater, and part compelling curated art, this peculiarly affecting piece examines the diversity of contemporary communication.
Here’s the latest sampling of Fringe shows, performances, playwrights, and artists from around the world, now grown to 18 countries.
“Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds Review of A DYBBUCK from EgoPo Classic Theatre 
Full Cirque: Alix Croop returns to her hometown with AMALUNA Allentown native, Alix Croop, couldn’t imagine how her talents would translate to what she had seen in Cirque du Soleil’s Alegria... 
Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group) Henrik Eger talks to director Rebecca Wright about her work and influences. 
TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
Fringe in Sketch: THE FREN BANKLIN EXPERIENCE Fren Banklin comes to the sketchbook reporter's dining room. Support Phindie operations
In preparation for her SoLow Fest performance, Onion Dances, Talia Mason chopped onions, attempting to cry while talking about family memories and associations with onions. more…
