Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play
JESUS CHRIST SUPERSTAR (Bristol Riverside Theatre): In a little river town a great but shopworn rock opera is reborn
I went in to the show a doubting Thomas a came out a believer.
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.
From Callow Young Lover to Successful Playwright: Interview with Eric Conger, writer of BEAUTIFUL BOY
Eric Conger is leaving his mark as a successful new American playwright, whose four produced plays include BEAUTIFUL BOY, the story of a young man’s search for his birth parents. Henrik Eger caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.
We caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.