Elizabeth Atkinson

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IDEATION (Theatre Exile): How to succeed in business

The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play

Bristol Riverside Jesus Christ Superstar theatre review
Mary Tuomanen in HELLO! SADNESS!  Photos by  Daryl Peveto.

Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)

Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.

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CONSTELLATIONS (Wilma): Love in the multiverse

“We have all the time we ever had.”

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HARVEY (Walnut): Burns slow, then hops right along

The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.

Caught Interact Theatre review

CAUGHT (InterAct): The truth is just a lie

CAUGHT marks the first entry into InterAct’s season of all-new plays. What a great start.

From Callow Young Lover to Successful Playwright: Interview with Eric Conger, writer of BEAUTIFUL BOY

Eric Conger is leaving his mark as a successful new American playwright, whose four produced plays include BEAUTIFUL BOY, the story of a young man’s search for his birth parents. Henrik Eger caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.

We caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.