Henrik Eger greets international Fringe artists.
Elaina Di Monaco
WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walker’s previous Fringe entries
On the Rocks trust the process.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
From a fledgling weekend-long event, Philadelphia Women’s Theatre Festival (PWTF) has become an established part of the city’s theater calendar.
Former PlayPenn interns come into their own as theater professionals.
PlayPenn interns describe what its like to work with top playwrights.
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).