It’s very satisfying to see this 1978 play revived; it still speaks to us and to the American condition
EgoPo Classic Theater
3 weeks. 10 plays. My first Fringe Festival.
Chuck Schultz sketches one half of the “Censured” series of South African plays
EgoPo Classic Theater is looking at the South African region to consider the geographical mysteries and beauty of African culture.
The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.
EgoPo Classic Theater continues its foray into classics of American drama with a focus on female playwrights.
A Woman’s World: A conversation with Brenna Geffers, Lane Savadove, and Adrienne Mackey on bringing a new focus on women to Philadelphia theater
For the theme of its 2015–16 season, EgoPo Classic Theater has announced it will honor American female playwrights: Lillian Hellman, Clare Boothe Luce, and Sophie Treadwell.
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.