Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.
Quintessence Theatre brings to life a beautifully staged, truly epic production of Bertolt Brecht’s MOTHER COURAGE AND HER CHILDREN, as brilliantly directed by Alexander Burns.
Ethics for theater critics: Does an analysis by a privileged journalist have value? Do writers get more ethical the more they are paid? 
Absolutely Fabulous Off-Broadway Rep: MY BIG GAY ITALIAN WEDDING and MY BIG GAY ITALIAN FUNERAL There are few events in life as rife with the heightened emotions of love and loss as weddings and funerals. Add to them the unbridled passions of being Italian and gay, then throw in a rollicking... 
G-chatting the Gift of Life: Talking POLLYANNA with Katherine Perry and Sarah Knittel Phindie met Katherine and Sarah online to get the lowdown on their collaborative project 
THE WHITE DEVIL (PAC): A bloody good thriller PAC gives the Jacobin the veneer of a mid-20th century hard-boiler. Sketches by Chuck Schultz. 
Theater in Sketch: THE MASSIVE TRAGEDY OF MADAME BOVARY (Curio) The small cast at Curio Theatre play multiple roles in THE MASSIVE TRAGEDY OF MADAME BOVARY, a dramatization of Gustave Flaubert's novel (read the Phindie review). Aetna Gallagher, Andrew Blasenak, Ch... 
January | February | March | April | May | June July | August | September | October | November | December Arsenic and Old Lace. By Joseph Kesselring. March 11–April 27, 2014.
